04710nam 2200625Ia 450 991046254500332120200520144314.01-283-63734-01-84951-705-3(CKB)2670000000261523(EBL)1035154(OCoLC)823239334(SSID)ssj0000771540(PQKBManifestationID)11511354(PQKBTitleCode)TC0000771540(PQKBWorkID)10810049(PQKB)10175885(MiAaPQ)EBC1035154(PPN)228037883(Au-PeEL)EBL1035154(CaPaEBR)ebr10608606(CaONFJC)MIL394980(EXLCZ)99267000000026152320111102d2012 uy 0engur|n|---|||||txtccrLMMS[electronic resource] a complete guide to dance music production: beginner's guide /David EarlBirmingham Packt Publishing20121 online resource (384 p.)Includes index.1-84951-704-5 Cover; Copyright; Credits; About the Author; About the Reviewers; www.PacktPub.com; Table of Contents; Preface; Chaper 1: Gearing Up: A Preflight Checklist; Getting a studio ready to thump; System requirements; Installing LMMS; Installing LMMS on Windows; Installing LMMS on Linux; Installing LMMS on Mac OS X 10.6 and above; LMMS resources or where's my stuff?; File management - keeping it together; Managing project versions; Time for action - saving our first project; Playing sessions at other studios; Setting up MIDI for LMMS; MIDI keyboards; Control surfaces; Setting up MIDI in WindowsTime for action - setting up MIDI in WindowsSetting up MIDI in Linux; Time for action - setting up MIDI in Linux using ALSA; Installing MIDI in Mac OS X; Getting sound out of LMMS; Getting on the mic; Dynamic microphone; The condenser microphone; A brief introduction to sound cards and audio interfaces; Great resources for inspiring sounds; Radiohead; Indaba music; Remix comps; CCmixter; Making custom samples; Avoiding painful microphone feedback; Time for action - recording with a microphone; The art of listening: controlling your listening environmentComposing on the fly: laptop configurationsCutting out the world - choosing earbuds; Composing in a room with studio monitors; Computer noise, room noise, and hum; Corners are bad; Hardwood floors need a rug; Parallel walls aren't great; Absorption versus diffusion; Speaker choice and placement is important; Get a good chair; Summary; Chaper 2: Getting Our Feet Wet: Exploring LMMS; What kind of electronic musician are you?; Opening the LMMS default song and making noise!; Time for action - opening a new song template; The Main Menu bar; The Project menu; The Edit menu; The Tools menuThe Help menuClicking through the toolbar; The top row of buttons on the left-hand side; The bottom row of buttons on the left-hand side; Other features of the toolbar; Exploring the goodies in the side bar; Using the Beats+Bassline Editor; Time for action - setting the stage to build a beat; Time for action - adding drums to the Beats+Bassline Editor; Time for action - creating a beat pattern; Our first tweaking of samples; Time for action - editing samples with the Audiofile processor; Time for action - adding elements and variation to our beat patternAdding instruments to the Beats+Bassline Editor-BassTime for action - adding bass to the Beats+Bassline Editor; Our first tweaking of a synth; Time for action - editing note length and root pitch in the; Beats+Bassline Editor; Exploring the Piano Roll editor; Time for action - opening a pattern in the Piano Roll editor; Time for action - changing the pitch of the bassline; Using the Piano Roll in the Song Editor; Time for action - muting instruments in the; Beats+Bassline Editor; Time for action - enabling a Piano Roll in the Song Editor; Time for action - enabling a MIDI keyboard controllerin the Song EditorThe beginner's guide to exploring, understanding, and rocking in the world of dance music using the free LMMS digital audio workstation.Computer sound processingMusicComputer programsElectronic books.Computer sound processing.MusicComputer programs.006.6Earl David1951-1041562MiAaPQMiAaPQMiAaPQBOOK9910462545003321LMMS2465186UNINA