02770nam 2200601Ia 450 991046240890332120211006012103.01-4411-4852-31-283-73613-61-4411-4976-7(CKB)2670000000238833(EBL)1014742(OCoLC)809910948(SSID)ssj0000738608(PQKBManifestationID)12341213(PQKBTitleCode)TC0000738608(PQKBWorkID)10791769(PQKB)10734279(MiAaPQ)EBC1014742(Au-PeEL)EBL1014742(CaPaEBR)ebr10595481(CaONFJC)MIL404863(OCoLC)811491915(MiAaPQ)EBC6163539(EXLCZ)99267000000023883320111208d2012 uy 0engur|n|---|||||txtccrOn modern poetry[electronic resource] from theory to total criticism /Robert Rowland SmithLondon ;New York Continuumc20121 online resource (213 p.)Description based upon print version of record.1-4411-6572-X Includes bibliographical references and index.Acknowledgements; Introduction; Part 1: Themes; 1 Two or three lines through modern poetic theory; 2 Rhyme and reason; 3 The object; 4 Hearing voices; 5 The flowers of rhetoric; Part 2: Readings; 6 Darkling; 7 Forgetting Tennyson's memory; 8 Hopkins, 'f' and 'l'; 9 Symons in the decade of decadence; 10 High Windows, reframed; 11 The case of J. H. Prynne; Notes; IndexAlltoo often, the history of poetry criticism in the 20th Century is told as atale of two sides. While 'Lit crit' pored over the author's every line,'Theory' stood on the shoulder of texts to gaze into the metaphysical mists. Drawingon the key insights of both Lit crit and Theory, On Modern Poetry tries to get beyond the oppositionbetween them, proposing instead a 'total criticism' that draws on all resourcesavailable. It combines 'analytic irony' with 'imaginative empathy' in orderto generate fresh insights. The themes discussed in the firstpart of the book include tradition, voice, rhyme, rhPoetry, Modern20th centuryHistory and criticismTheory, etcModernism (Literature)Electronic books.Poetry, ModernHistory and criticismTheory, etc.Modernism (Literature)809.104Smith Robert Rowland979189MiAaPQMiAaPQMiAaPQBOOK9910462408903321On modern poetry2232110UNINA