02754nam 2200613Ia 450 991046237370332120211207023125.01-283-61110-40-520-95391-610.1525/9780520953918(CKB)2670000000242534(EBL)1028908(OCoLC)813844013(SSID)ssj0000720565(PQKBManifestationID)11417923(PQKBTitleCode)TC0000720565(PQKBWorkID)10668928(PQKB)11760238(MiAaPQ)EBC1028908(MdBmJHUP)muse30854(DE-B1597)520197(DE-B1597)9780520953918(Au-PeEL)EBL1028908(CaPaEBR)ebr10604325(CaONFJC)MIL392355(EXLCZ)99267000000024253420120319d2012 ub 0engurnn#---|u||utxtccrEx-cinema[electronic resource] from a theory of experimental film and video /Akira Mizuta LippitBerkeley University of California Press20121 online resource (202 p.)Includes index.0-520-27412-1 0-520-27414-8 Front matter --Contents --Illustrations --Acknowledgments --EXC00. Exergue Ex-Cinema --EXC01. Out of the Blue (Ex Nihilo) --EXC02. Extimacy: Outside Time and Superrealist Cinema --EXC03. Cinemnesis: Martin Arnold's Memory Apparatus --EXC04. The Rhetoric of Images, of the Unimaginable --EXC05. Derrida, Specters, Self-Reflection --EXC06. (Parenthesis Video Ergo Sum) --EXC07. Digesture: Gestures without Bodies --EXC08. Extract Matthias Müller --EXC09. Revisionary Cinema --EXC10. xxxxMA --IndexWhat does it mean for film and video to be experimental? In this collection of essays framed by the concept "ex-"-meaning from, outside, and no longer-Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Ex-Cinema is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.Experimental filmsHistory and criticismMotion picturesHistoryElectronic books.Experimental filmsHistory and criticism.Motion picturesHistory.791.43/611Lippit Akira Mizuta605374MiAaPQMiAaPQMiAaPQBOOK9910462373703321Ex-cinema2452523UNINA