03246nam 2200577 a 450 991046229710332120200520144314.01-280-67983-297866136567660-7618-5842-3(CKB)2670000000203799(EBL)928521(OCoLC)796999533(SSID)ssj0000681165(PQKBManifestationID)12236050(PQKBTitleCode)TC0000681165(PQKBWorkID)10654786(PQKB)10597388(MiAaPQ)EBC928521(Au-PeEL)EBL928521(CaPaEBR)ebr10568791(CaONFJC)MIL365676(OCoLC)802048961(EXLCZ)99267000000020379920120221d2012 uy 0engur|n|---|||||txtccrCinemulacrum[electronic resource] a secret history of film-video, 1960-2010 /Aaron SultanikLanham, Md. University Press of America, Inc.c20121 online resource (139 p.)Includes index.0-7618-5841-5 CINEMULACRUM; Contents; Preface. Cinemulacrum: A Definition; A. Digital Film/Video: Reality Paradigm; B. Media Hegemony: Video, Fantasy, and the Young Adult; C. Cinemulacrum is not a Dystopia; Chapter 1. The Fall-and Rise-of Classical Hollywood: Ben-Hur (1959)-The Godfather (1972); Chapter 2. Neoclassicism and Postmodernism in the American Cinema of the Seventies; A. Violence, Populism, and the New Apocrypha: Dirty Harry (1971)-Rocky (1976); B. Bicentennial Blues: Taxi Driver (1974)-The Deer Hunter (1977); C. Looking Backward, Forwardly: Star Wars (1977)-Heaven's Gate (1982)Chapter 3. The Age of CinemulacrumA. The Making of Simulacra: The Empire Strikes Back (1980)-Revenge of the Sith (2005); B. The Hollywood Epic in the Age of Cinemulacrum: Platoon (1985)-The Return of the King (2003); C. The Comic Outsider, Underground Humor on TV, and the Rise of Black Culture: Saturday Night Live (1974)-Chappelle's Show (2003); D. Hollywood Redux: Risky Business (1985)-Million Dollar Baby (2004); E. Auteurs, Art Films, and the American Avant-Garde: Raging Bull (1980)-Psycho (1998); Afterword; Jean-Luc Godard and the Death of Cinema: Notre Musique (2005)-Avatar (2009)Addenda3 Axioms; The Copy, not the Original: The Archetype of Media Culture; Apocrypha of Violence; A Cinemulacrum Timeline; The 7 Ages of Cinemulacrum, or a Secret History of Film/Video; Index; About the AuthorCinemulacrum, a conflation of "cinema," the art of the Hollywood film, and simulacrum, a reality counterfeit, was coined to designate contemporary media culture. This book examines the fall-and rise-of classical Hollywood and the hegemony of television in a media dyad of movies and television. Motion picturesHistoryElectronic books.Motion picturesHistory.791.4309Sultanik Aaron1056412MiAaPQMiAaPQMiAaPQBOOK9910462297103321Cinemulacrum2490746UNINA01865nam 2200625 450 991016271800332120170809151642.01-5095-0581-4(CKB)3710000000495653(EBL)4044071(SSID)ssj0001569645(PQKBManifestationID)16218179(PQKBTitleCode)TC0001569645(PQKBWorkID)12783467(PQKB)10190453(MiAaPQ)EBC4044071(EXLCZ)99371000000049565320151109h20152015 uy 0engur|n|---|||||txtccrWho is Charlie? xenophobia and the new middle class /Emmanuel Todd ; maps and diagrams by Philippe Laforgue ; translated by Andrew BrownCambridge, England ;Malden, Massachusetts :Polity,2015.©20151 online resource (172 p.)Includes index.1-5095-0578-4 1-5095-0577-6 XenophobiaFranceSocial classesFranceReligion and social statusFranceReligion and sociologyFranceSocial problemsFranceIslamaphobiaFranceFranceSocial conditions1995-Electronic books.XenophobiaSocial classesReligion and social statusReligion and sociologySocial problemsIslamaphobia306.440944Todd Emmanuel1951-151130Laforgue PhilippeBrown AndrewMiAaPQMiAaPQMiAaPQBOOK9910162718003321Who is Charlie2893185UNINA