03657nam 2200661Ia 450 991046206450332120200520144314.01-283-58363-197866138960870-252-09379-8(CKB)2670000000241176(OCoLC)1157357948(OCoLC)809032408(OCoLC)809313753(OCoLC)810423075(OCoLC)817810821(OCoLC)923495199(OCoLC)961526142(OCoLC)962706144(OCoLC)988432500(OCoLC)991975609(OCoLC)1037935257(OCoLC)1038579911(OCoLC)1045537501(OCoLC)1055352781(OCoLC)1066492865(OCoLC)1077240916(OCoLC)1081282549(OCoLC)1083610681(OCoLC)1126037589(OCoLC)on1157357948(CaPaEBR)ebrary10593720(SSID)ssj0000711496(PQKBManifestationID)11400294(PQKBTitleCode)TC0000711496(PQKBWorkID)10682622(PQKB)11394510(MiAaPQ)EBC3414048(StDuBDS)EDZ0000649246(MdBmJHUP)muse23631(Au-PeEL)EBL3414048(CaPaEBR)ebr10593720(CaONFJC)MIL389608(OCoLC)923495199(EXLCZ)99267000000024117620110822d2012 ub 0engurcn|||||||||txtccrKim Ki-duk[electronic resource] /Hye Seung ChungUrbana University of Illinois Pressc20121 online resource (177 p.)Contemporary film directorsBibliographic Level Mode of Issuance: Monograph0-252-07841-1 0-252-03669-7 Includes bibliographical references and index.Includes filmography.Beyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection -- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee.This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression).Contemporary film directors.Motion picture producers and directorsElectronic books.Motion picture producers and directors.791.4302/33092BChung Hye Seung1971-876373MiAaPQMiAaPQMiAaPQBOOK9910462064503321Kim Ki-duk1957031UNINA01030cam0 22002891 450 SOBE0007204020220616082110.020220601d1975 |||||ita|0103 baitaITLeopardiCesare Goffis5 edPalermoPalumbostampa 1975178 p.21 cmStoria della critica21001LAEC000199992001 *Storia della critica21LeopardiSOBA00024324131320Goffis, Cesare FedericoA600200025290070152704ITUNISOB20220616RICAUNISOBUNISOBSaggi|H176559SOBE00072040M 102 Monografia moderna SBNMFondo|LeopardianoSaggi|H000024CON17655920220527FondoLeopardianoDonorovitoUNISOBUNISOB20220601131620.020220616082110.0rovitoPer le modalità di consultazione vedi homepage della Biblioteca link FondiLeopardi131320UNISOB