02751nam 2200577Ia 450 991046204120332120200520144314.01-283-95767-11-78042-997-5(CKB)2670000000209873(EBL)915194(OCoLC)793996513(SSID)ssj0000662981(PQKBManifestationID)12291605(PQKBTitleCode)TC0000662981(PQKBWorkID)10739200(PQKB)10829687(MiAaPQ)EBC915194(PPN)197274129(Au-PeEL)EBL915194(CaPaEBR)ebr10621963(CaONFJC)MIL427017(EXLCZ)99267000000020987320090320d2009 uy 0engur|n|---|||||txtccrJasper Johns[electronic resource] /Catherine CraftNew York Parkstonec20091 online resource (256 p.)Temporis collectionSeries statement from jacket flap.1-84484-557-5 Includes bibliographical references.Contents; Acknowledgments; Being an Artist; The Birth of an Artist; Private and Public; The Changing Focus of the Eye; The Freedom of Objects; Changing Moods; The Artist and his Viewers; Marcel Duchamp: Thought in Art; Multiple Impressions; Not Designed, But Taken; Printing and Painting; Untitled and Related Works; Thought, Embodied; Creation and Destruction; Dropping the Reserve; Something Happening; Shifting Meanings; Picasso: Different Kinds of Qualities; Second Childhood; Knowing and Not Knowing; Dropping the Reserve?; Grace; Catenary; Within; Conclusion; Notes; BibliographyList of IllustrationsAt a time when the dominant mode of painting,Abstract Expressionism,emphasized expressive drama through bold brushwork and largely abstract compositions, Johns' paintings of the American flag, targets, numbers and the alphabet demonstrated a decided departure from convention.Despite being painted with obvious care, they seemed emotionally reticent, cool and quiet, far from the emotional fireworks then fashionable."It all began... with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn't have to design it. So I went on to similar things liTemporisElectronic books.709.24Craft Catherine862648Johns Jasper1930-212738MiAaPQMiAaPQMiAaPQBOOK9910462041203321Jasper Johns1925640UNINA