02983nam 2200589Ia 450 991046192550332120200520144314.00-88385-925-4(CKB)2670000000205131(EBL)3330411(OCoLC)923220178(SSID)ssj0000577627(PQKBManifestationID)11374728(PQKBTitleCode)TC0000577627(PQKBWorkID)10561911(PQKB)11212658(UkCbUP)CR9780883859254(MiAaPQ)EBC3330411(Au-PeEL)EBL3330411(CaPaEBR)ebr10729382(OCoLC)929120256(EXLCZ)99267000000020513120090918d1975 uy 0engur|n|---|||||txtccrGeometric transformations[electronic resource] I /I.M. Yaglom ; translated from the Russian by Allen ShieldsWashington, D.C. Mathematical Association of America19751 online resource (144 p.)Anneli Lax new mathematical library ;44Description based upon print version of record.0-88385-608-5 ""Front Cover""; ""Geometric Transformations I""; ""Copyright Page""; ""CONTENTS""; ""Translatorâ€?s Preface""; ""From the Authorâ€?s Preface""; ""Introduction. What is Geometry?""; ""Chapter I. Displacements""; ""1. Translations""; ""2. Half Turn and Rotation""; ""Chapter II. Symmetry""; ""1. Reflection and Glide Reflection""; ""2. Directly Congruent and Oppositely Congruent Figures. Classification of Isometries of the Plane""; ""Solutions""; ""Chapter One. Displacements""; ""Chapter Two. Symmetry""Almost everyone is acquainted with plane Euclidean geometry as it is usually taught in high school. This book introduces the reader to a completely different way of looking at familiar geometrical facts. It is concerned with transformations of the plane that do not alter the shapes and sized of geometric figures. Such transformations (called isometries) play a fundamental role in the group-theoretic approach to geometry. The treatment is direct and simple, The reader is introduced to new ideas and then is urged to solve problems using these ideas. The problems form an essential part of this book and the solutions are given in detail in the second half of the book.Anneli Lax new mathematical library ;v. 44.Inversions (Geometry)Geometry, ModernElectronic books.Inversions (Geometry)Geometry, Modern.516.5I͡Aglom I. M(Isaak Moiseevich),1921-1988.50559Shenitzer Abe49807MiAaPQMiAaPQMiAaPQBOOK9910461925503321Geometric transformations1987928UNINA03303nam 22006251 450 991096993490332120171009095604.0978135000419113500041979781350004160135000416210.5040/9781350004191(CKB)4340000000213381(MiAaPQ)EBC4939398(OCoLC)1000048121(UtOrBLW)bpp09261140(PPN)233131728(UtOrBLW)BP9781350004191BC(Perlego)804756(EXLCZ)99434000000021338120171025d2017 uy 0engurcnu||||||||rdacontentrdamediardacarrierExpanded painting ontological aesthetics and the essence of colour /Mark Titmarsh[New York] :Bloomsbury Academic,2017.1 online resource (228 pages)9781350101999 1350101990 9781350004177 1350004170 Includes bibliographical references and index.Chapter 1. The Presence of Paint -- Chapter 2. Expanded Painting -- Chapter 3. Post Aesthetics -- Chapter 4. An Ontology of Colour -- Chapter 5. The Painting of Being -- Notes -- Bibliography."The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenge both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting."--Bloomsbury Publishing.AestheticsArtPhilosophyColor in artOntologyPaintingPhilosophyPhilosophy: aestheticsAesthetics.ArtPhilosophy.Color in art.Ontology.PaintingPhilosophy.745.723Titmarsh Mark1861395UtOrBLWUtOrBLWBOOK9910969934903321Expanded painting4467494UNINA