02842nam 2200637Ia 450 991046188420332120200520144314.00-292-73975-3(CKB)2670000000273630(EBL)3443625(SSID)ssj0000755496(PQKBManifestationID)11496252(PQKBTitleCode)TC0000755496(PQKBWorkID)10730743(PQKB)10224239(MiAaPQ)EBC3443625(OCoLC)859687175(MdBmJHUP)muse18692(Au-PeEL)EBL3443625(CaPaEBR)ebr10608365(OCoLC)813844943(EXLCZ)99267000000027363020120703d2012 ub 0engur|n|---|||||txtccrDisney's most notorious film[electronic resource] race, convergence, and the hidden histories of Song of the South /by Jason Sperb1st ed.Austin University of Texas Press20121 online resource (295 p.)Originally presented as the author's thesis (doctoral)--Indiana University, 2009.0-292-73974-5 Includes bibliographical references and index.Introduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion.Race relations in motion picturesAfrican Americans in motion picturesStereotypes (Social psychology) in motion picturesMotion picture audiencesUnited StatesConvergence (Telecommunication)Electronic books.Race relations in motion pictures.African Americans in motion pictures.Stereotypes (Social psychology) in motion pictures.Motion picture audiencesConvergence (Telecommunication)791.43/6552Sperb Jason1978-919376MiAaPQMiAaPQMiAaPQBOOK9910461884203321Disney's most notorious film2285907UNINA