03714nam 2200637Ia 450 991046187880332120200520144314.0988-220-911-4988-220-900-9(CKB)2670000000169559(EBL)877741(OCoLC)782879926(SSID)ssj0000658777(PQKBManifestationID)11401630(PQKBTitleCode)TC0000658777(PQKBWorkID)10691813(PQKB)11174981(StDuBDS)EDZ0000092910(MiAaPQ)EBC877741(MdBmJHUP)muse18828(Au-PeEL)EBL877741(CaPaEBR)ebr10547288(EXLCZ)99267000000016955920111123d2012 uy 0engur|n|---|||||txtccrSoutheast Asian independent cinema[electronic resource] essays, documents, interviews /edited by Tilman BaumgärtelHong Kong Hong Kong University Press ;London Eurospan [distributor]20121 online resource (297 p.)TransAsia: screen culturesDescription based upon print version of record.988-8083-60-0 Includes bibliographical references and index.Contents; Notes on Contributors; List of Figures; Acknowledgements; Introduction; Part I: Essays; 01: Southeast Asian Independent Cinema; 02: Imagined Communities, Imagined Worlds; 03: Hinterland, Heartland, Home; 04: Stealing Moments; 05: Fiction, Interrupted; 06: Cinema, Sexuality and Censorship in Post-Soeharto Indonesia; 07: Independent versus Mainstream Islamic Cinema in Indonesia; 08: Observational Documentary Comes to Indonesia; Part II: Documents; 09: Four Manifestos; 10: Why Ciplak ended up being made; 11: Singapore GaGa Tours Singapore; 12: The Downside of Digital13: I Sinema ManifestoPart III: Interviews; 14: "An inexpensive film should start with an inexpensive story"; 15: "Digital is liberation theology"; 16: "I make films for myself""; 17: "I love making films , but not getting films made"; 18: "I want the people of Indonesia to see a different point of view, whether they agree with it or not"; 19: "I do not have anything against commercial films""; 20: The Page and the (Video) Camera; 21: "I want you to forget about the race of the protagonists half an hour into the film"; Notes; Bibliography; IndexThe rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film pTransAsia: screen cultures.Independent filmsSoutheast AsiaIndependent filmmakersSoutheast AsiaMotion picture industrySoutheast AsiaElectronic books.Independent filmsIndependent filmmakersMotion picture industry778.53Baumgärtel Tilman1966-1027851MiAaPQMiAaPQMiAaPQBOOK9910461878803321Southeast Asian independent cinema2443546UNINA