04906nam 2200757Ia 450 991046186220332120200520144314.00-8135-5458-61-283-71723-910.36019/9780813554587(CKB)2670000000276432(EBL)1051869(OCoLC)818869299(SSID)ssj0000761492(PQKBManifestationID)11434502(PQKBTitleCode)TC0000761492(PQKBWorkID)10730539(PQKB)10392418(MiAaPQ)EBC1051869(OCoLC)823743421(MdBmJHUP)muse18909(DE-B1597)529007(DE-B1597)9780813554587(Au-PeEL)EBL1051869(CaPaEBR)ebr10621677(CaONFJC)MIL402973(EXLCZ)99267000000027643220120312d2012 ub 0engur|n|---|||||txtccrLand of smoke and mirrors[electronic resource] a cultural history of Los Angeles /Vincent BrookNew Brunswick, N.J. Rutgers University Press20121 online resource (316 p.)Description based upon print version of record.0-8135-5457-8 0-8135-5456-X Includes bibliographical references and index.Front matter --CONTENTS --ACKNOWLEDGMENTS --PROLOGUE --Introduction --PART ONE. Original Si(g)n --PART TWO. Si(g)n City --PART THREE. L. A. Noir --PART FOUR. Multicultural L.A. --Conclusion --Notes --Index --ABOUT THE AUTHORUnlike the more forthrightly mythic origins of other urban centers-think Rome via Romulus and Remus or Mexico City via the god Huitzilopochtli-Los Angeles emerged from a smoke-and-mirrors process that is simultaneously literal and figurative, real and imagined, material and metaphorical, physical and textual. Through penetrating analysis and personal engagement, Vincent Brook uncovers the many portraits of this ever-enticing, ever-ambivalent, and increasingly multicultural megalopolis. Divided into sections that probe Los Angeles's checkered history and reflect on Hollywood's own self-reflections, the book shows how the city, despite considerable remaining challenges, is finally blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors. Part I is a review of the city's history through the early 1900's, focusing on the seminal 1884 novel Ramona and its immediate effect, but also exploring its ongoing impact through interviews with present-day Tongva Indians, attendance at the 88th annual Ramona pageant, and analysis of its feature film adaptations. Brook deals with Hollywood as geographical site, film production center, and frame of mind in Part II. He charts the events leading up to Hollywood's emergence as the world's movie capital and explores subsequent developments of the film industry from its golden age through the so-called New Hollywood, citing such self-reflexive films as Sunset Blvd., Singin' in the Rain, and The Truman Show. Part III considers LA noir, a subset of film noir that emerged alongside the classical noir cycle in the 1940's and 1950's and continues today. The city's status as a privileged noir site is analyzed in relation to its history and through discussions of such key LA noir novels and films as Double Indemnity, Chinatown, and Crash. In Part IV, Brook examines multicultural Los Angeles. Using media texts as signposts, he maps the history and contemporary situation of the city's major ethno-racial and other minority groups, looking at such films as Mi Familia (Latinos), Boyz N the Hood (African Americans), Charlotte Sometimes (Asians), Falling Down (Whites), and The Kids Are All Right (LGBT).Popular cultureCaliforniaLos AngelesHistoryMotion picture industryCaliforniaLos AngelesHistoryCultural pluralismCaliforniaLos AngelesHistoryMinoritiesCaliforniaLos AngelesHistoryHollywood (Los Angeles, Calif.)HistoryLos Angeles (Calif.)Social conditionsLos Angeles (Calif.)HistoryLos Angeles (Calif.)In literatureLos Angeles (Calif.)In motion picturesElectronic books.Popular cultureHistory.Motion picture industryHistory.Cultural pluralismHistory.MinoritiesHistory.979.4979.494Brook Vincent1946-877267MiAaPQMiAaPQMiAaPQBOOK9910461862203321Land of smoke and mirrors2478334UNINA