02642oam 2200625I 450 991046166960332120200520144314.01-283-64306-50-203-10522-21-136-25292-410.4324/9780203105221 (CKB)2670000000259360(EBL)1039280(OCoLC)813005314(SSID)ssj0000757510(PQKBManifestationID)12323564(PQKBTitleCode)TC0000757510(PQKBWorkID)10758940(PQKB)10348389(MiAaPQ)EBC1039280(PPN)185142826(Au-PeEL)EBL1039280(CaPaEBR)ebr10611628(CaONFJC)MIL395556(OCoLC)815653640(OCoLC)892431389(EXLCZ)99267000000025936020180706d2013 uy 0engur|n|---|||||txtccrAdapting Chekhov the text and its mutations /edited by J. Douglas Clayton and Yana MeerzonNew York :Routledge,2013.1 online resource (335 p.)Routledge advances in theatre and performance studies ;23Routledge advances in theatre and performance studies ;23Description based upon print version of record.1-138-93767-3 0-415-50969-6 Includes bibliographical references and index.pt. I. On categories, techniques, and methodologies of mutation -- pt. II. Chekhov in the post[ist] context -- pt. III. Performing Chekhov in radical mutations.This book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book prRoutledge advances in theatre and performance studies.Electronic books.891.72/3Clayton J. Douglas876513Meerzon Yana876514FlBoTFGFlBoTFGBOOK9910461669603321Adapting Chekhov1957227UNINA