02570nam 22006371 450 991046161400332120200514202323.01-4725-5530-91-283-12253-797866131225371-4411-2727-510.5040/9781472555304(CKB)2670000000092805(EBL)711087(OCoLC)729253189(SSID)ssj0000525634(PQKBManifestationID)11347466(PQKBTitleCode)TC0000525634(PQKBWorkID)10507517(PQKB)11308216(MiAaPQ)EBC711087(Au-PeEL)EBL711087(CaPaEBR)ebr10472179(CaONFJC)MIL312253(OCoLC)893335370(OCoLC)1057401818(UkLoBP)bpp09256900(EXLCZ)99267000000009280520140929d2007 uy 0engur|n|---|||||txtccrShakespeare inside the Bard behind bars /Amy Scott-DouglassLondon ;New York :Continuum,2007.1 online resource (161 p.)Shakespeare now!Description based upon print version of record.0-8264-8698-3 0-8264-8699-1 Includes bibliographical references (pages [131]-136) and index.Cover; Half-title; Title; Copyright; Contents; Acknowledgments; General Editors' Preface; Act 1; Act 2; Intermission; Act 3; Act 4; Act 5; Epilogue; Bibliography; IndexShakespeare Inside goes behind the scenes to reveal Shakespeare at work in the most decisive institutional context of our time - in prisons. Based upon the author's experience of watching prison yard rehearsals and performances, and interviewing inmates, program directors, and wardens, Shakespeare Inside is not an objective, dispassionate account of how Shakespeare is bastardized by repressive institutions but offers a record of fiercely personal experiences. We hear ex-offender Mike Smith detail how playing Desdemona was vital to his rehabilitation; we sit in the audience of women inmates as Shakespeare now!.Prison theaterCase studiesPrison theater822.33Scott-Douglass Amy608407UtOrBLWUtOrBLWUkLoBPBOOK9910461614003321Shakespeare inside1109986UNINA