02310nam 2200565 a 450 991046130450332120200520144314.01-283-12128-X97866131212880-19-979228-3(CKB)2670000000093974(EBL)716676(OCoLC)730941193(SSID)ssj0000524237(PQKBManifestationID)11347786(PQKBTitleCode)TC0000524237(PQKBWorkID)10543562(PQKB)11420797(MiAaPQ)EBC716676(Au-PeEL)EBL716676(CaPaEBR)ebr10472328(CaONFJC)MIL312128(EXLCZ)99267000000009397420091113d2010 uy 0engur|n|---|||||txtccrModern music and after[electronic resource] /Paul Griffiths3rd ed.New York Oxford University Pressc20101 online resource (475 p.)Description based upon print version of record.0-19-974050-X Includes bibliographical references (p. 425-439) and index.Cover; Contents; Prelude; 1945; 1956; 1965; 1975; 1989; 2001; Resources; IndexOver three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reformation of compositional technique and in John Cage's development of zen music; in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies; in Karlheinz Stockhausen's deMusic20th centuryHistory and criticismElectronic books.MusicHistory and criticism.780.9/04Griffiths Paul1947 Nov. 24-893514MiAaPQMiAaPQMiAaPQBOOK9910461304503321Modern music and after1996018UNINA