02721nam 2200613 a 450 991046118560332120200520144314.01-283-13368-797866131336871-86189-884-3(CKB)2670000000092473(EBL)692184(OCoLC)723945819(SSID)ssj0000524823(PQKBManifestationID)12149181(PQKBTitleCode)TC0000524823(PQKBWorkID)10487840(PQKB)11145056(MiAaPQ)EBC692184(Au-PeEL)EBL692184(CaPaEBR)ebr10470251(CaONFJC)MIL313368(EXLCZ)99267000000009247320110607d2011 uy 0engur|n|---|||||txtccrPhotography and Italy[electronic resource] /Maria Antonella PelizzariLondon Reaktion Books20111 online resource (190 p.)ExposuresDescription based upon print version of record.1-86189-769-3 Includes bibliographical references and index.Photography and Italy Cover; Imprint page; Contents; Introduction; one: Modern Pictures of an Ancient World; two: Risorgimento Mythologies; three: Romance of Stone and Steel; four: Amateurs and Professionals; five: Italian Modernities; six: Postwar Narratives; seven: The Margin of the Frame; eight: Alienation and Belonging; References; Select Bibliography; Acknowledgements; Photo Acknowledgements; IndexIn this beautifully illustrated book Maria Antonella Pelizzari traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini's regime. While many Italians and foreigners- such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot-focused theExposures (London, England)PhotographyItalyHistoryHistoriographyElectronic books.PhotographyHistory.Historiography.770.945 22779.9945Pelizzari Maria Antonella886012MiAaPQMiAaPQMiAaPQBOOK9910461185603321Photography and Italy1978357UNINA