05496nam 2200661 a 450 991046117960332120200520144314.01-283-42460-6978661342460090-272-7864-4(CKB)2670000000139631(EBL)829527(OCoLC)769344121(SSID)ssj0000827303(PQKBManifestationID)11473853(PQKBTitleCode)TC0000827303(PQKBWorkID)10820663(PQKB)10175448(MiAaPQ)EBC829527(Au-PeEL)EBL829527(CaPaEBR)ebr10524109(EXLCZ)99267000000013963119880315d1988 uy 0engur|n|---|||||txtccrMaupassant[electronic resource] the semiotics of text : practical exercises /Algirdas Julien Greimas ; translated by Paul PerronAmsterdam J. Benjamins Pub. Co.19881 online resource (292 p.)Semiotic crossroads ;v. 1Translation of: Maupassant : la sémiotique du texte.Includes the unabridged text of Two friends.1-55619-039-5 90-272-1941-9 Includes bibliographical references (p. xxi-xxii) and index.MAUPASSANT The Semiotics of Text Practical Exercises; Editorial page; Title page; Copyright page; Table of contents; INTRODUCTION; NOTES; REFERENCES; FOREWORD; TWO FRIENDS; SEQUENCE I. PARIS; I. TEXTUAL ORGANIZATION; 1. Spatial and Temporal Disjunctions; 1.1. Temporality; 1.2. Spatiality; 2. Actorial Disjunction; II. THE FIRST SENTENCE; 1. Thematic Roles; 2. Aspectual Structures; 3. A Logic of Approximations; III. THE SECOND SENTENCE; 1. The Discoursive Isotopy; 2. SpatialRepresentation; 3. Semantic Explicitation; 4. Axiological Investments; IV. THE THIRD SENTENCE1. The Spatial Figure of Paris2. Toward the Abolition of Meaning; V. FINAL REMARKS; SEQUENCE II. FRIENDSHIP; I. THE SEQUENCE AND ITS CONTEXT; 1. Intercalation; 1.1. Disengagement; 1.2. Engagement; 2. The Linearity of Discourse; 2.1. The Cognitive Dimension and its Figurativization; 2.2. The Actorial Isotopy of Discourse; 2.3. Anaphorization and Cataphorization; II. THE INTERNAL ORGANIZATION OF THE SEQUENCE; 1. Paradigmatic Organization; 1.1. The Demarcators; 1.2. Segmentation; 1.3. Symmetries and Dissymmetries; 2. Syntagmatic Organization; 2.1. Doing and Being; 2.2. Doing; 2.3. The Pivot2.4. BeingIII. EUPHORIC DOING; 1. The Discoursive Program; 2. The Valorization of the Program; 3. The Installation of the Dual Actant; IV. THE FIGURATIVE UNIVERSE OF VALUES; 1. The Identification of Values; 2. The Transfigurations of the Sun; 3. Aquatic Mist; 4. Celestial Mist; 5. Solar Blood; 6. The Seeming of the Sky; 7. The Semiotic Square; V. ACTANTIAL DISTRIBUTION; SEQUENCE III. THE PROMENADE; I. THE STATUS AND THE ORGANIZATION OF THE SEQUENCE; 1. The Spatio-temporal Frame; 2. The Promenade; 3. Walking and Halting; II. THE ADVENT OF THE EVENT; 1. Temporalization and Aspectualization2. The Focalization of the Actor-Subject3. Triggering of Narration; III. RECONSTITUTING THE ACTANT; 1. Recognition; 2. The Reunion; 3. The Virtualization and the Actualization of Contents; 4. The Institution of Illusion; IV. THE COMPETENCE OF THE SUBJECT; 1. The Actualization of Wanting-to-do; 2. An Illusory Being-able-to-do; 3. The Tricksters; 4. The Two Figures of the Trickster; 5. The Non-Sender; 6. The Act; SEQUENCE IV. THE QUEST; I. PROVISIONAL SEGMENTATION; II. FAMILIAR SPACE; 1. The Pass; 2. The Spatial Organization of the Narrative; 2.1. The Crossing; 2.2. The Space of Folktale2.3. Spatial Engagement and Disengagement2.4. Uttered Space; III. TOPICAL SPACE; 1. New Segmentation; 2. The Interpretive Halt; 2.1. The Exploration of Topical Space; 2.2. Interpretive Doing; 2.2.1. Variations of the Isotopies; 2.2.2. The Fiduciary Relation; 2.2.3. The Actualization of the Antactant; 2.3. The Social Anti-sender; 2.4. The Qualifying Test; 2.4.1. Anxiety; 2.4.2. Cheeky Humor; 2.4.3. Hesitation; 3. Persuasive Displacement; 3.1. The Pragmatic Program; 3.2. The Cognitive Program; SEQUENCE V. PEACE; I. PROBLEMS OF SEGMENTATION; II. THE CONSTRUCTION OF COGNITIVE SPACE1. The Quest for SolitudeTranslated by Paul PerronMaupassant's short story, "Two Friends", is examined in order to test methodological tools and to hone them for their application in the analysis of narrative discourse, starting from the oral tale (Propp) and ending with the written tale instituted as literary genre. Complex procedures of textual production are identified: among which entire sequences as well as the "evenemential" level of narrative fade away in favor of its cognitive dimension. This semiotic investigation is accompanied by a challenge to certain conventions of literary criticism: dialogue, the locus Semiotic crossroads ;v. 1.Semiotics and literatureFranceElectronic books.Semiotics and literature843/.8Greimas Algirdas Julien156484Maupassant Guy de1850-1893.157925MiAaPQMiAaPQMiAaPQBOOK9910461179603321Maupassant1978351UNINA02080cam a2200361 450099100298371970753620250430125931.0941121m17501751it af b 000 0 lat db14264304-39ule_instCICOGNARA-0548ExLBibl. Interfacoltà T. PellegrinoitalatgrcitaBandini, Angelo Maria,sac.<1726-1803>71255De obelisco Caesaris Augusti e Campi Martii ruderibus nuper erutocommentarius auctore Angelo Maria Bandinio. Accedunt cll. virorum epistolae atque opuscula.Dell'obelisco di Cesare Augusto scavato dalle rovine del Campo Marzio.Romæ :ex typographia Palladis :excudebant Nicolaus et Marcus Palearini,1750(In Roma :nella Stamperia di Pallade a spese di Niccolò, e Marco Pagliarini mercanti di libri e stampatori a Pasquino,1751)xxii, 114, [2], cx, [2], xix, [1] p., 4 c. di tav. (ripieg.) :ill.; 2° (44 cm).Titolo del front. aggiunto: "Dell'obelisco di Cesare Augusto scavato dalle rovine del Campo Marzio".Front. in rosso e nero, con incisione.Testo in latino e italiano con parti in greco antico.Frontoni, iniziali.Incisioni calcografiche.P. [101] numerata 104.Riproduzione in microfiche dell'originale conservato presso la Biblioteca Apostolica VaticanaIndicazioni bibliografiche nelle note.Leopoldo Cicognara Program :Biblioteca Cicognara[microform] : literary sources in the history of art and kindred subjectsCatalogo ragionato dei libri d'arte e d'antichità / Leopoldo Cicognara.b1426430401-04-2228-07-16991002983719707536LE002 SB Raccolta Cicognara, mcrf 25160le002E0.00no 110000.i1573514x28-07-16De obelisco Caesaris Augusti e Campi Martii ruderibus nuper eruto1388515UNISALENTOle00228-07-16mg -latit 01