01087nam1 22003133i 450 CAG006750720170908093246.0888679939X20090630d1999 ||||0itac50 baitaitz01i xxxe z01nNovelline popolari sarde dell'Ottocentoedizione dei manoscritti del Fondo Comparetti del Museo nazionale delle arti e tradizioni popolari[a cura di] Enrica DelitalaNuoroIstituto superiore regionale etnograficoCagliariAM&D19992 v.22 cmAgorà9In custodia.001BVE02959992001 Agorà9001CAG00675082000 11001CAG00675092000 22Delitala, EnricaCFIV131088340ITIT-NA007920090630IT-AV0172CAG0067507Biblioteca BAP Avellinov. 1.-2. 14SALA AV 004. 015 14Novelline popolari sarde dell'Ottocento167929UNISANNIO03701nam 2200733Ia 450 991046115440332120200520144314.01-4696-0310-10-8078-7808-1(CKB)2670000000095357(EBL)716596(OCoLC)731646883(SSID)ssj0000520776(PQKBManifestationID)11336096(PQKBTitleCode)TC0000520776(PQKBWorkID)10516848(PQKB)11136853(StDuBDS)EDZ0000244379(MiAaPQ)EBC716596(OCoLC)731680439(MdBmJHUP)muse23529(Au-PeEL)EBL716596(CaPaEBR)ebr10478394(CaONFJC)MIL929988(EXLCZ)99267000000009535720101118d2011 ub 0engur|n|---|||||txtccrThe African American roots of modernism[electronic resource] from Reconstruction to the Harlem Renaissance /James SmethurstChapel Hill University of North Carolina Pressc20111 online resource (265 p.)The John Hope Franklin series in African American history and cultureDescription based upon print version of record.0-8078-7185-0 0-8078-3463-7 Includes bibliographical references and index.Introduction: new forms and captive knights in the age of Jim Crow and mechanical reproduction -- Dueling banjos: African American dualism and strategies for Black representation at the turn of the century -- Remembering "those noble sons of ham": poetry, soldiers, and citizens at the end of reconstruction -- The Black city: the early Jim Crow migration narrative and the new territory of race -- Somebody else's civilization: African American writers, bohemia, and the new poetry -- A familiar and warm relationship: race, sexual freedom, and U.S. literary modernism.The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity.In identifying the Jim Crow periodJohn Hope Franklin series in African American history and culture.African AmericansIntellectual life19th centuryAfrican AmericansIntellectual life20th centuryAfrican AmericansSegregationAmerican literatureAfrican American authorsHistory and criticismModernism (Literature)United StatesSegregation in literatureElectronic books.African AmericansIntellectual lifeAfrican AmericansIntellectual lifeAfrican AmericansSegregation.American literatureAfrican American authorsHistory and criticism.Modernism (Literature)Segregation in literature.810.9/896073Smethurst James Edward918835MiAaPQMiAaPQMiAaPQBOOK9910461154403321The African American roots of modernism2475611UNINA