00752cac0 22002171 450 LAEC0002423620110502120222.020110502f0000 |||||ita|0103 baITb PrometheusITUNISOB20110502RICALAEC00024236C 121 Collana SBNCPrometheus791061UNISOB001E6002000319372001 Termodinamica, energiail nuovo paradigma001E6002000320182001 Per una teoria dell'artificialeTra natura, cultura e tecnologia001E6002000380542001 Per una teoria della pianificazione001E6002000689692001 <<La >>morte di NewtonIl nuovo paradigma scentifico03115nam 2200637 a 450 991046111230332120200520144314.01-283-95911-91-78042-727-1(CKB)2670000000159771(EBL)886995(OCoLC)781969575(SSID)ssj0000663494(PQKBManifestationID)12291739(PQKBTitleCode)TC0000663494(PQKBWorkID)10604092(PQKB)10216257(MiAaPQ)EBC886995(PPN)197277950(Au-PeEL)EBL886995(CaPaEBR)ebr10540606(CaONFJC)MIL427161(EXLCZ)99267000000015977120120328d2012 uy 0engur|n|---|||||txtccrCaravaggio[electronic resource] /Félix Witting and M.L. Patrizi ; [translation, Andrew Byrd and Marlena Metcalf]New York Parkstone International[2012]1 online resource (200 p.)Best ofDescription based upon print version of record.1-906981-83-3 Includes bibliographical references and index.Contents; Introduction; HIS FATE; The Early Years andDeparture for Rome; Milan; Venice; Departure for Rome; The First Roman Worksand the Church of SanLuigi dei Francesi; The First Roman Works; The Paintings of the Church of San Luigi dei Francesi; Condemned to Exile; Naples; Malta; The Face as the Reflection of the Soul; THE BIRTH OF A STYLE; The Painter of Pleasuresand Taboos; Caravaggio or theAesthetic Revolution; CARAVAGGIO IN ADIFFERENT LIGHT; The Life of Caravaggio by Giovanni Pietro Bellori; Notizia by Mancini; The Curriculum Vitae of aCriminal PainterLetter of 29 July 1610 from the Bishop of Caserte to Cardinal Scipione BorgheseConclusion; Bibliographical Notes; Biography; IndexIt was not until the middle of the 20th century that Caravaggio (15711610), an Italian painter long considered controversial, was rediscovered. An advocate of Realism, this artist of the CounterReformation challenged the establishment and returned a sense of humanity to images of the saints. The sensuality he gave them went beyond veneration to create an ambiguous eroticism, which incurred the wrath of the Church. Paradoxical and violent, this painter of shadows illustrated with solemnity his debauched lifestyle and dissolute morals. With his invention of chiaroscuro, he made his bloodsoaked iBest ofMichelangelo da CaravaggioPaintersItalyBiographyElectronic books.Painters759.5Witting Felixb. 1873.869861Patrizi M. L675609Byrd Andrew869862Metcalf Marlena869863MiAaPQMiAaPQMiAaPQBOOK9910461112303321Caravaggio1942166UNINA