02651nam 22005534a 450 991045587670332120200520144314.00-8078-6104-9(CKB)111087027915510(EBL)413449(OCoLC)476237602(SSID)ssj0000183192(PQKBManifestationID)11169897(PQKBTitleCode)TC0000183192(PQKBWorkID)10193869(PQKB)10384455(MiAaPQ)EBC413449(Au-PeEL)EBL413449(CaPaEBR)ebr10041266(CaONFJC)MIL930711(EXLCZ)9911108702791551019990728d2000 uy 0engur|n|---|||||txtccrInventing the criminal[electronic resource] a history of German criminology, 1880-1945 /Richard F. WetzellChapel Hill University of North Carolina Pressc20001 online resource (364 p.)Studies in legal historyDescription based upon print version of record.0-8078-2535-2 Includes bibliographical references (p. [307]-343) and index.Acknowledgments; Abbreviations; Introduction; 1: The Origins of Modern Criminology; 2: From Criminal Anthropology to Criminal Psychology, 1880-1914; 3: Criminology and Penal Policy, 1880-1914; 4: Criminal Sociology in the Weimar Years; 5: Varieties of Criminal Biology in the Weimar Years; 6: Criminology under the Nazi Regime; 7: Criminology and Eugenics, 1919-1945; Conclusion; Bibliography; IndexRecent years have witnessed a resurgence of biological research into the causes of crime, but the origins of this kind of research date back to the late nineteenth century. Here, Richard Wetzell presents the first history of German criminology from Imperial Germany through the Weimar Republic to the end of the Third Reich, a period that provided a unique test case for the perils associated with biological explanations of crime.Drawing on a wealth of primary sources from criminological, legal, and psychiatric literature, Wetzell shows that German biomedical research on crime predominateStudies in legal history.CriminologyGermanyHistoryElectronic books.CriminologyHistory.364.943Wetzell Richard F989839MiAaPQMiAaPQMiAaPQBOOK9910455876703321Inventing the criminal2287670UNINA03268nam 2200685Ia 450 991046108790332120210422235455.01-280-10847-997866135206540-520-95150-610.1525/9780520951501(CKB)2670000000175144(EBL)881933(OCoLC)784954176(SSID)ssj0000621891(PQKBManifestationID)11392457(PQKBTitleCode)TC0000621891(PQKBWorkID)10637060(PQKB)10051860(MiAaPQ)EBC881933(DE-B1597)519930(OCoLC)1110708425(DE-B1597)9780520951501(Au-PeEL)EBL881933(CaPaEBR)ebr10547324(CaONFJC)MIL352065(EXLCZ)99267000000017514420110810d2012 ub 0engur|nu---|u||utxtccrThe poetics of Slumberland[electronic resource] animated spirits and the animating spirit /Scott BukatmanBerkeley University of California Pressc20121 online resource (286 p.)Description based upon print version of record.0-520-26572-6 0-520-26571-8 Includes bibliographical references (p. 239-250) and index.Front matter --CONTENTS --ILLUSTRATIONS --APPRECIATIONS --INTRODUCTION. The Lively, the Playful, and the Animated --Chapter 1. DRAWN AND DISORDERLY --Chapter 2. THE MOTIONLESS VOYAGE OF LITTLE NEMO --Chapter 3. LABOR AND ANIMA --Chapter 4. DISOBEDIENT MACHINES --Chapter 5. LABOR AND ANIMATEDNESS --Chapter 6. PLAYING SUPERHEROES --NOTES --BIBLIOGRAPHY --INDEXIn The Poetics of Slumberland, Scott Bukatman celebrates play, plasmatic possibility, and the life of images in cartoons, comics, and cinema. Bukatman begins with Winsor McCay's Little Nemo in Slumberland to explore how and why the emerging media of comics and cartoons brilliantly captured a playful, rebellious energy characterized by hyperbolic emotion, physicality, and imagination. The book broadens to consider similar "animated" behaviors in seemingly disparate media-films about Jackson Pollock, Pablo Picasso, and Vincent van Gogh; the musical My Fair Lady and the story of Frankenstein; the slapstick comedies of Jerry Lewis; and contemporary comic superheroes-drawing them all together as the purveyors of embodied utopias of disorder.Animated filmsHistory and criticismComic books, strips, etcHistory and criticismFantastic, The, in artFantasy in motion picturesElectronic books.Animated filmsHistory and criticism.Comic books, strips, etc.History and criticism.Fantastic, The, in art.Fantasy in motion pictures.700/.415Bukatman Scott1957-1037869MiAaPQMiAaPQMiAaPQBOOK9910461087903321The poetics of Slumberland2462991UNINA02849nam 22006255 450 991015310140332120251030100516.09781137493446113749344510.1057/978-1-137-49344-6(CKB)3710000000960255(DE-He213)978-1-137-49344-6(MiAaPQ)EBC4746984(Perlego)3487333(EXLCZ)99371000000096025520161122d2016 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierThe British Official Film in South-East Asia Malaya/Malaysia, Singapore and Hong Kong /by Ian Aitken1st ed. 2016.London :Palgrave Macmillan UK :Imprint: Palgrave Macmillan,2016.1 online resource (XII, 248 p.) 9781349697038 1349697036 9781137493439 1137493437 Includes bibliographical references and index.This book explores the ways in which the British official film was used in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the 1970s. Aitken uncovers how the British official film, and British official information agencies, adapted to the epochal contexts of the Cold War and end of empire. In addition to an extensive introduction, which touches on a number of critical issues related to the post-war British official film, the book provides an account of how the tradition of film-making associated with the British documentary film movement spread into the region during the post-war period, and how that tradition was contested by a ‘Colonial Office’ tradition of film-making. The volume concludes by covering the rise of television in the region within the context of developing post-colonial authoritarian states in Singapore and Malaysia, and the continuation of colonial authoritarianism in Hong Kong.Motion picturesGreat BritainEthnologyAsiaCultureMotion picturesHistoryImperialismBritish Film and TVAsian CultureFilm and TV HistoryImperialism and ColonialismMotion picturesEthnologyCulture.Motion picturesHistory.Imperialism.British Film and TV.Asian Culture.Film and TV History.Imperialism and Colonialism.791.430941Aitken Ianauthttp://id.loc.gov/vocabulary/relators/aut1063301BOOK9910153101403321The British Official Film in South-East Asia2531519UNINA