03788nam 2200649 450 991046092980332120200520144314.00-252-09667-3(CKB)3710000000485633(EBL)4306025(SSID)ssj0001583584(PQKBManifestationID)16263956(PQKBTitleCode)TC0001583584(PQKBWorkID)14864418(PQKB)11014982(MiAaPQ)EBC4306025(StDuBDS)EDZ0001642073(OCoLC)923011166(MdBmJHUP)muse35777(Au-PeEL)EBL4306025(CaPaEBR)ebr11137390(CaONFJC)MIL839190(OCoLC)935254915(EXLCZ)99371000000048563320160119h20152015 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierFrom scratch writings in music theory /James Tenney ; edited by Larry Polansky [and three others]Urbana, [Illinois] :University of Illinois Press,2015.©20151 online resourceDescription based upon print version of record.0-252-08437-3 0-252-03872-X Includes bibliographical references and index.Introduction / Larry Polansky -- On the development of the structural potentialities of rhythm, dynamics, and timbre in the early nontonal music of Arnold Schoenberg (1959) -- Meta [does not equal] Hodos (1961) -- Computer music experiences, 1961-1964 (1964) -- On the physical correlates of timbre (1965) -- Excerpts from "An experimental investigation of timbre---the violin" (1966) -- Form in twentieth-century music (1969-70) -- META Meta [does not equal] Hodos (1975) -- The chronological development of Carl Ruggles's melodic style (1977) -- Hierarchical temporal gestalt perception in music: a metric space model (with Larry Polansky) (1978-80) -- Introduction to "Contributions toward a quantitative theory of harmony" (1979) -- The structure of harmonic series aggregates (1979) -- John Cage and the theory of harmony (1983) -- Reflections after Bridge (1984) -- Review of Music as heard by Thomas Clifton (1985) -- About Changes: sixty-four studies for six harps (1987) -- Darmstadt lecture (1990) -- The several dimensions of pitch (1993/2003) -- On "crystal growth" in harmonic space (1993/2003) -- About Dispason (1996) -- Appendix 1. Pre-Meta [does not equal] Hodos (1959) -- Appendix 2. On musical parameters (ca. 1960-1961) -- Appendix 3. Excerpt from A history of 'consonance' and 'dissonance' (1988).One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited, and revised by the self-described "composer/theorist." Selections focus on his fundamental concerns--"what the ear hears"--and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition.ComposersMusic theoristsMusic theoryElectronic books.Composers.Music theorists.Music theory.780.922Tenney James958242Polansky LarryMiAaPQMiAaPQMiAaPQBOOK9910460929803321From scratch2171041UNINA