04570nam 2200673 450 991046081380332120210512214350.03-11-044795-93-11-044806-810.1515/9783110448061(CKB)3710000000455836(EBL)2130147(SSID)ssj0001530007(PQKBManifestationID)12628791(PQKBTitleCode)TC0001530007(PQKBWorkID)11536302(PQKB)10969490(MiAaPQ)EBC2130147(DE-B1597)457904(OCoLC)918623404(DE-B1597)9783110448061(Au-PeEL)EBL2130147(CaPaEBR)ebr11088060(CaONFJC)MIL819051(EXLCZ)99371000000045583620150818h20152015 uy 0engurun#---|u||utxtccr3D and animated lenticular photography between Utopia and entertainment /Kim TimbyBerlin, [Germany] ;Boston, [Massachusetts] :De Gruyter,2015.©20151 online resource (306 p.)Studies in Theory and History of Photography ;Volume 5Description based upon print version of record.3-11-041306-X Includes bibliographical references and index.Front matter --CONTENTS --ACKNOWLEDGEMENTS --INTRODUCTION --Chapter 1: Stereoscopy without a Stereoscope --Chapter 2: Cinema in a Single Photo --Chapter 3: A Window onto the World --Chapter 4: 3D Portraiture and the Integral-Image Utopia --Chapter 5: Lights, Color, Action! Point-of-Sale Advertising --Chapter 6: A Lenticular Image in Every Home: Promotional Premiums --Chapter 7: The 3D Postcard --Chapter 8: The Limits of Lenticular Photography --Conclusion --Notes --IndexDie bedeutende kulturelle Rolle der Fotografie und die Vielfalt fotografischer Praxis stehen zunehmend im Fokus wissenschaftlicher Studien. Die Publikation leistet einen Beitrag zu dieser neuen Fotografiegeschichte, indem sie sich jenen Bildern widmet, die dadurch den Eindruck belebter Dreidimensionalität erwecken, dass sie bewegt werden. Auf der Grundlage von Fallstudien werden diese Linsenraster- oder Lentikularbilder und ihre Verwendung in Wissenschaft und Popkultur untersucht.Die Motive, die die Neuentdeckung und Entwicklung dieser Technologie seit dem beginnenden 20. Jahrhundert vorwärts gebracht haben, werfen ein neues Licht auf unser Verhältnis zum fotografischen Realismus. Sie erhellen das Zusammenspiel von technischer Innovation und dem Verlangen nach Unterhaltung in der Fotografie.Scholars are increasingly investigating photography’s broad cultural role, expanding our understanding of the diversity of photographic practices. Kim Timby contributes to this new history of photography by examining the multifaceted story of images that animate with a flick of the wrist or appear vividly three-dimensional without the use of special devices—both made possible by the lenticular process. Using French case studies, this volume broadly weaves 3D and animated lenticular imagery into scientific and popular culture, from early cinema and color reproduction to the birth of modern advertising and the market for studio portraits, postcards, and religious imagery. The motivations behind the invention and reinvention of this pervasive form of imagery, from the turn of the twentieth century through the end of the pre-digital era, shed new light on our relationship to photographic realism and on the forceful interplay in photography between technological innovation and the desire to be entertained. 3D and Animated Lenticular Photography: Between Utopia and Entertainment is a profusely illustrated and engaging interdisciplinary study of a wide-ranging body of images that have fascinated viewers for generations.Studies in theory and history of photography ;Volume 5.Photography, StereoscopicImage processingPattern perceptionElectronic books.Photography, Stereoscopic.Image processing.Pattern perception.778.4Timby Kim1040929MiAaPQMiAaPQMiAaPQBOOK99104608138033213D and animated lenticular photography2464155UNINA