03369nam 2200589 450 991046048420332120200520144314.00-231-53907-X10.7312/josh16960(CKB)3710000000354209(EBL)1922341(StDuBDS)EDZ0001133104(MiAaPQ)EBC1922341(DE-B1597)458380(OCoLC)979776821(DE-B1597)9780231539074(Au-PeEL)EBL1922341(CaPaEBR)ebr11022723(CaONFJC)MIL733429(OCoLC)903674745(EXLCZ)99371000000035420920150302h20152015 uy 0engurcnu||||||||rdacontentrdacontentrdamediardacarrierBollywood's India a public fantasy /Priya JoshiChichester, [England] :Columbia University Press,2015.©20151 online resource (214 p.)Description based upon print version of record.0-231-16961-2 Includes bibliographical references, filmography and index.Front matter --Contents --List of Illustrations and Tables --Acknowledgments --Preface. The Social Work Of Cinema --1. Bollywood's India --2. Cinema as Public Fantasy --3. Cinema as Family Romance --4. Bollywood, Bollylite --Epilogue: Anthem for a New India --Notes --Filmography --Bibliography --IndexBollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabricate public fantasies of what constitutes "India." Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India. With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. Themes such as crime and punishment, family and individuality, vigilante and community capture the diffuse aspirations of an evolving nation. Summoning India's tumultuous 1970's as an interpretive lens, Joshi reveals the cinema's social work across decades that saw the decline of studios, the rise of the multi-starrer genre, and the arrival of corporate capital and new media platforms. In elegantly crafted studies of iconic and less familiar films, including Awara (1951), Ab Dilli Dur Nahin (1957), Deewaar (1975), Sholay (1975), Dil Se (1998), A Wednesday (2008), and 3 Idiots (2009), Joshi powerfully conveys the pleasures and politics of Bollywood blockbusters.Motion picturesIndiaHistory20th centuryMotion picturesUnited StatesHistory20th centuryIndiaIn motion picturesElectronic books.Motion picturesHistoryMotion picturesHistory791.43/0954Joshi Priya451755MiAaPQMiAaPQMiAaPQBOOK9910460484203321Bollywood's India2466384UNINA