04170nam 2200697 450 991046034860332120200520144314.01-317-16444-X1-317-16443-11-4724-1585-X(CKB)3710000000268050(EBL)1825709(OCoLC)894171065(SSID)ssj0001369477(PQKBManifestationID)11896687(PQKBTitleCode)TC0001369477(PQKBWorkID)11287867(PQKB)11315408(MiAaPQ)EBC1825709(MiAaPQ)EBC5294180(Au-PeEL)EBL1825709(CaPaEBR)ebr11000953(CaONFJC)MIL924674(Au-PeEL)EBL5294180(CaONFJC)MIL687869(EXLCZ)99371000000026805020150117h20142014 uy 0engur|n|---|||||txtccrCollaborative creative thought and practice in music /edited by Margaret S. BarrettSurrey, England ;Burlington, Vermont :Ashgate,2014.©20141 online resource (329 p.)SEMPRE Studies in the Psychology of MusicDescription based upon print version of record.1-4724-1584-1 Includes bibliographical references at the end of each chapters and index.Cover; Contents; List of Figures and Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Part I Introduction; 1 Collaborative Creativity and Creative Collaboration; Part II Collaborative Creativity in Compositional Thought and Practice; 2 The Scattering of Light; 3 No Stone Unturned: Mapping Composer-Performer Collaboration; 4 Learning to Collaborate in Code; 5 Collaborating Across Musical Style Boundaries; 6 We Are All Musical; 7 Rimsky-Korsakov and Musorgsky: A Posthumous Collaboration?Part III Collaborative Creativity as Boundary Crossing8 Creative Collaborative Thought and Puzzle Canons in Renaissance Music; 9 The Spirit of Chinese Creativity in Twenty-first-century Cantonese Culture; 10 An Historical Perspective on Creative Collaboration; 11 Collaboration in Duo Piano Performance - 'Piano Spheres'; 12 Creative Collaboration in Generating an Affective Contemporary Production; 13 Collaborative Re-creation; Part IV Emergent Creativity in Collaborative Thought and Practice; 14 Supporting Collaboration in Changing Cultural Landscapes15 Thorns and Joys in Creative Collaboration16 Towards Pedagogies of Creative Collaboration; 17 'Literacy Through Music' - A Multidisciplinary and Multilayered Creative Collaboration; Part V Postlude; 18 Musical Performance as Collaborative Practice; IndexFocusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which theSEMPRE studies in the psychology of music.Composition (Music)Psychological aspectsCreation (Literary, artistic, etc.)Social aspectsCreative thinkingSocial aspectsElectronic books.Composition (Music)Psychological aspects.Creation (Literary, artistic, etc.)Social aspects.Creative thinkingSocial aspects.781.3Barrett Margaret S.MiAaPQMiAaPQMiAaPQBOOK9910460348603321Collaborative creative thought and practice in music2252798UNINA