00984nam0-22003011i-450-99000525787040332120090612121132.0201002799x000525787FED01000525787(Aleph)000525787FED0100052578719990604d1978----km-y0itay50------bafrey-------001yy<<La >>vie quotidienne des colons grecs de la mer noire a l'atlantique au siècle de Pythagore VI siècle avant J.-C.Paul FaureS.L.Hachettec.1978443 p.20 cmHachette littèrature938.0222itaFaure,Paul152610ITUNINARICAUNIMARCBK990005257870403321938.02 FAU 1ANT. G.R. 3021FLFBCFLFBCVie quotidienne des colons grecs de la mer noire a l'atlantique au siècle de Pythagore VI siècle avant J.-C539445UNINA03360nam 2200673 450 991046018860332120200520144314.03-11-035953-73-11-038684-410.1515/9783110359534(CKB)3710000000359856(EBL)1663155(SSID)ssj0001457439(PQKBManifestationID)11865004(PQKBTitleCode)TC0001457439(PQKBWorkID)11441329(PQKB)10683525(DE-B1597)426235(OCoLC)948656045(OCoLC)952806751(DE-B1597)9783110359534(MiAaPQ)EBC1663155(Au-PeEL)EBL1663155(CaPaEBR)ebr11049547(CaONFJC)MIL808020(OCoLC)921944575(EXLCZ)99371000000035985620150107h20152015 uy| 0engur|n|---|||||txtccrThe ends of satire legacies of satire in postwar German writing /Daniel BowlesBerlin ;Boston :De Gruyter,[2015]©20151 online resource (240 p.)Paradigms-- Literature and the human sciences ;volume 2Description based upon print version of record.3-11-035935-9 Includes bibliographical references and index.Acknowledgments -- Introduction: Satire around 1800: Jean Paul -- Prolegomena -- The case of Jean Paul: unreadable writing, unwritable readings 16 -- Part One: Inversion -- The carnivalesque in Mikhail Bakhtin's Rabelais and his World (1965) -- Perspective and repetition in Thomas Bernhard's Woodcutters (1984) -- Destructive negativity: Thomas Bernhard and Extinction (1986) -- Part Two: Mythification -- Between theory and literature: Roland Barthes' Mythologies (1957) -- Elfriede Jelinek's Mythic Lust (1989) -- Viennese paradigms in Elfriede Jelinek's The Piano Teacher (1983) -- Part Three: Citation -- From stage to page: Judith Butler and Gender Trouble (1990) -- Performing theory in literature: Thomas Meinecke's Tomboy (1998) -- Infinite Paradise of the Infinite Text: Thomas Meinecke's Music (2004) -- Conclusion: Satire after Satire."How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory." --Provided by publisher.ParadigmsSatire, GermanHistory and criticismGerman literature20th centuryHistory and criticismElectronic books.Satire, GermanHistory and criticism.German literatureHistory and criticism.837/.009GN 1701rvkBowles Daniel James1981-1036339MiAaPQMiAaPQMiAaPQBOOK9910460188603321The ends of satire2456588UNINA