02576nam 2200541 450 991045999750332120200520144314.01-61147-763-81-61147-691-7(CKB)3710000000251809(EBL)1810420(SSID)ssj0001348046(PQKBManifestationID)12603821(PQKBTitleCode)TC0001348046(PQKBWorkID)11362791(PQKB)10262547(MiAaPQ)EBC1810420(Au-PeEL)EBL1810420(CaPaEBR)ebr10976591(CaONFJC)MIL650860(OCoLC)892430137(EXLCZ)99371000000025180920141118h20142014 uy 0engur|n|---|||||txtccrPlace, setting, perspective narrative space in the films of Nanni Moretti /Eleanor AndrewsLamham, Maryland ;London, England :Fairleigh Dickinson University Press :Rowman & Littlefield Publishing Group, Inc,2014.©20141 online resource (259 p.)Description based upon print version of record.1-322-19580-3 1-61147-690-9 Includes bibliographical references, filmography and index.Contents; List of Figures; Acknowledgments; Clarification; 1 Introduction; 1: Place; 2 Nearly All Roads Lead to Rome; 3 Battling with Nature; 4 Inside; 5 Outside; 2: Setting; 6 Laughter and Tears; 7 The Scene of the Crime; 8 Sweet Dreams?; 9 Whose Space is it Anyway?; 3: Perspective; 10 Inside and Outside the Frame; 11 A Certain Point of View; 12 An Artist at Work; Filmography; Bibliography; Index; About the Author<span><span>This book takes a fresh view of the films of the Italian filmmaker Nanni Moretti through the important study of narrative space, which is defined here in terms of geographical place, genre setting, and aesthetic and philosophical perspective. The study is based on close textual analysis of Moretti's eleven major feature films to date, using the formal film language of </span><span style=""font-style:italic;"">mise-en-scène</span><span>, cinematography, editing, and sound. </span></span>Electronic books.791.43023/3092Andrews Eleanor1953-931341MiAaPQMiAaPQMiAaPQBOOK9910459997503321Place, setting, perspective2095100UNINA