03483nam 22006252 450 991045978180332120210713092508.090-485-2326-510.1515/9789048523269(CKB)3710000000321642(EBL)1899676(SSID)ssj0001467355(PQKBManifestationID)11890948(PQKBTitleCode)TC0001467355(PQKBWorkID)11515196(PQKB)11257222(MiAaPQ)EBC1899676(DE-B1597)502827(OCoLC)1076460481(DE-B1597)9789048523269(Au-PeEL)EBL1899676(CaPaEBR)ebr11001086(CaONFJC)MIL801027(OCoLC)923710131(UkCbUP)CR9789048523269(EXLCZ)99371000000032164220201130d2014|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierColor and empathy essays on two aspects of film /Christine N. Brinckmann[electronic resource]Amsterdam :Amsterdam University Press,2014.1 online resource (269 pages) digital, PDF file(s)Film culture in transitionTitle from publisher's bibliographic system (viewed on 23 Jun 2021).90-8964-656-6 Front matter --Table of Contents --Preface /Brinckman, Christine N. --Cinematic Color as Likeness and as Artifact --Chords of Color --The Tension of Colors in Colorized Silent Films --Structural Film, Structuring Color: Jenny Okun's Still Life --Desert Fury: A Film Noir in Color --The Work of the Camera: Beau travail --Empathy with the Animal --Motor Mimicry in Hitchcock --Abstraction and Empathy in the Early German Avant-garde --The Role of Empathy in Documentary Film: A Case Study --Genre Conflict in Tracey Emin's Top Spot --Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate --Casta Diva: An Empathetic Reading --Publication Data --Index of Films --Index of Subjects --Film Culture in TransitionThe collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film.Film culture in transition.Colors in motion picturesHistoryColor cinematographyHistoryColor motion picturesHistoryColors in motion picturesHistory.Color cinematographyHistory.Color motion picturesHistory.791Brinckmann Christine1937-1033392UkCbUPUkCbUPBOOK9910459781803321Color and empathy2451909UNINA