03733oam 22006372 450 991045963050332120110325083013.01-62892-793-31-282-97771-797866129777181-4411-8824-X10.5040/9781628927931(CKB)2670000000066709(EBL)655496(OCoLC)699511022(SSID)ssj0000469362(PQKBManifestationID)12194629(PQKBTitleCode)TC0000469362(PQKBWorkID)10511051(PQKB)11236079(MiAaPQ)EBC655496(Au-PeEL)EBL655496(CaPaEBR)ebr10443226(CaONFJC)MIL297771(OCoLC)893335359(OCoLC)1194878107(UtOrBLW)bpp09257701(EXLCZ)99267000000006670920100302d2010 uy 0engur|n|---|||||txtccrFrom film adaptation to post-celluloid adaptation rethinking the transition of popular narratives and characters across old and new media /Costas ConstandinidesNew York :Continuum,2010.1 online resource (173 p.)Description based upon print version of record.1-4411-0608-1 1-4411-0380-5 "Filmography": pages [157]-158.Includes bibliographical references (pages [151]-156) and index.Introduction -- Towards the intertextual dialogism approach -- Towards post-celluloid adaptation -- From the pre-diction of crime to the pre-vision of screenless media : Spielberg's adaptation of Philip K. Dick's The minority report -- Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love -- Bullet-time, blood spraying time, and the adaptation of the graphic novel -- From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing -- Puppet Kong vs. synthetic Kong : Peter Jackson's King Kong as post-celluloid adaptation -- Conclusion."The main corpus of film adaptation thus far has focused on films based on canonical literature. From Film Adaptation to Post-Celluloid Adaptation takes the next logical step by discussing the emerging modes of film adaptation from older media to new, mainly focusing on the computer-generated reconstructions of popular narratives and characters along with other forms of convergence such as the Internet. While 'New Media' is a broad concept, the book will concentrate on the ways digital technology is being used in the encoding of films and discuss the ways this shift can be debated from a theoretical perspective. Though the discussion is framed through the 'new media' lens, the work will not exclude a broader understanding of New Media which refers to video games, official websites and interactivity so as to examine how the visual style of contemporary films is dispersed across, and influenced by, other media. Discussing films like Minority Report, King Kong, 300 and Wanted in relation to Film Adaptation theory, the work aims to challenge and rework the definition of adaptation."--Bloomsbury Publishing.Film adaptationsHistory and criticismFilms, cinemaElectronic books.Film adaptationsHistory and criticism.791.43/6Constandinides Costas917467UtOrBLWUtOrBLWBOOK9910459630503321From film adaptation to post-celluloid adaptation2057114UNINA01185nam2 22003013i 450 RER002269620231121125649.0IT712681 20180522d1971 ||||0itac50 baitaitz01i xxxe z01n˜1: œBilancio dello Stato, rapporti con gli altri bilanciSalvatore Buscema2. ed. rielaborata ed aggiornataMilanoA. Giuffrè1971XIX, 837 p.25 cm.001RER00226882001 ˜Il œbilancioSalvatore Buscema1Buscema, SalvatoreCFIV01953507036158ITIT-0120180522IT-RM028 IT-FR0098 Biblioteca Universitaria AlessandrinaRM028 Biblioteca Area Giuridico EconomicaFR0098 NRER0022696Biblioteca Area Giuridico Economica 53DONCAT FONDO CATALDI 165 53ATE0000241745 VMB A4 A 2018052220180522 01 53Bilancio dello Stato, rapporti con gli altri bilanci3616774UNICAS