02655nam 2200625Ia 450 991045924120332120200520144314.01-282-53886-197866125388650-226-79127-010.7208/9780226791272(CKB)2670000000009718(EBL)488108(OCoLC)609856888(SSID)ssj0000364357(PQKBManifestationID)11263981(PQKBTitleCode)TC0000364357(PQKBWorkID)10399056(PQKB)10359316(MiAaPQ)EBC488108(DE-B1597)535693(OCoLC)1135591643(DE-B1597)9780226791272(Au-PeEL)EBL488108(CaPaEBR)ebr10366815(CaONFJC)MIL253886(EXLCZ)99267000000000971819980722d1999 uc 0engur|n|---|||||txtccrThe picture in question[electronic resource] Mark Tansey and the ends of representation /Mark C. TaylorChicago University of Chicago Press19991 online resource (158 p.)Description based upon print version of record.0-226-79128-9 0-226-79129-7 Includes bibliographical references (p. 133-135) and index.Frontmatter -- Contents -- Preface -- 1. Picturing Painting -- 2. Re-presenting Representation -- 3. Sutures of Structures -- 4. Painting Under Erasure -- 5. Figuring Complexity -- 6. Transitions -- References for Paintings -- IndexA rich exploration of the possibilities of representation after Modernism, Mark Taylor's new study charts the logic and continuity of Mark Tansey's painting by considering the philosophical ideas behind Tansey's art. Taylor examines how Tansey uses structuralist and poststructuralist thought as well as catastrophe, chaos, and complexity theory to create paintings that please the eye while provoking the mind. Taylor's clear accounts of thinkers ranging from Plato, Kant, and Hegel to Merleau-Ponty, Derrida, and de Man will be an invaluable contribution to students and teachers of art. PaintersElectronic books.Painters.709.2Taylor Mark C.1945-158562Tansey Mark1949-919324MiAaPQMiAaPQMiAaPQBOOK9910459241203321The picture in question2061851UNINA