02650nam 2200613Ia 450 991045911550332120200520144314.01-283-00437-297866130043761-4411-4665-2(CKB)2560000000058129(EBL)655494(OCoLC)703137721(SSID)ssj0000469691(PQKBManifestationID)12195705(PQKBTitleCode)TC0000469691(PQKBWorkID)10531402(PQKB)10973655(MiAaPQ)EBC655494(PPN)184196787(Au-PeEL)EBL655494(CaPaEBR)ebr10447205(CaONFJC)MIL300437(EXLCZ)99256000000005812920080904d2011 uy 0engur|n|---|||||txtccrGraphic poetics[electronic resource] poetry as visual art /Richard BradfordLondon ;New York Continuumc20111 online resource (222 p.)Continuum literary studies Graphic poetics Description based upon print version of record.1-4411-7517-2 1-4411-2345-8 Includes bibliographical references and index.Contents; Acknowledgements; Introduction; 1. The Double Pattern; 2. Silent Poetics; 3. Critical Antipathy; 4. The Poet in the Poem; 5. Modernism: Two Versions of Free Verse; 6. Poems as Pictures; 7. The Sliding Scale; 8. The Sliding Scale and Recent Literary History; 9. Conclusion; Notes; Select Bibliography; IndexConcrete', 'pattern' or 'shaped' poems are well documented as experimental curiosities. While giving some attention to this sub-genre the book shifts the focus to the ways in which visual form manifests itself in 'traditional' verse, examining poems by Milton, Wordsworth, Eliot, Olson, T.E. Hulme, Auden, Williams, Larkin and Charles Tomlinson. It examines how the tactile presence of the poem on the page transcends the routine distinctions between genre and historical context, emerging as a significant but largely unexamined contribution to modernist poetics. The interpretative methodology is rPoetry and the artsPoeticsElectronic books.Poetry and the arts.Poetics.821.009Bradford Richard1957-740031MiAaPQMiAaPQMiAaPQBOOK9910459115503321Graphic poetics1921043UNINA