03879oam 2200733I 450 991045910330332120200520144314.01-135-25258-01-282-89873-697866128987300-203-86867-610.4324/9780203868676 (CKB)2670000000056499(EBL)592948(OCoLC)694146751(SSID)ssj0000433526(PQKBManifestationID)12165641(PQKBTitleCode)TC0000433526(PQKBWorkID)10390353(PQKB)10355696(SSID)ssj0000482921(PQKBManifestationID)12211650(PQKBTitleCode)TC0000482921(PQKBWorkID)10527202(PQKB)11496044(MiAaPQ)EBC592948(PPN)183663632(Au-PeEL)EBL592948(CaPaEBR)ebr10428005(CaONFJC)MIL289873(EXLCZ)99267000000005649920180706d2009 uy 0engur|n|---|||||txtccrBauhaus construct fashioning identity, discourse and modernism /edited by Jeffrey Saletnik and Robin SchuldenfreiLondon ;New York :Routledge,2009.1 online resource (289 p.)Description based upon print version of record.0-415-77836-0 0-415-77835-2 Includes bibliographical references and index.Book Cover; Title; Copyright; Contents; Contributors; Acknowledgments; Introduction; Part 1 Agents; Chapter 1 The Bauhaus Manifesto Postwar to Postwar: From the Street to the Wall to the Radio to the Memoir; Chapter 2 The Irreproducibility of the Bauhaus Object; Chapter 3 The Disappearing Bauhaus: Architecture and its Public in the Early Federal Republic; Chapter 4 Pedagogic Objects: Josef Albers, Greenbergian Modernism, and the Bauhaus in America; Part 2 Transference; Chapter 5 A Refuge for Script: Paul Klee's "Square Pictures"; Chapter 6 Lyonel Feininger's Bauhaus PhotographsChapter 7 Excavating Surface: On the Repair and Revision of László Moholy-Nagy's Z VII (1926)Chapter 8 Picturing Sculpture: Object, Image and Archive; Part 3 Object Identity; Chapter 9 Designing Men: New Visions of Masculinity in the Photomontages of Herbert Bayer, Marcel Breuer, and László Moholy-Nagy; Chapter 10 The Bauhaus Object between Authorship and Anonymity; Chapter 11 The Identity of Design as Intellectual Property; Coda; Bauhaus Endgame: Ambiguity, Anxiety, and Discomfort; Illustration credits; IndexReconsidering the status and meaning of Bauhaus objects in relation to the multiple re-tellings of the school's history, this volume positions art objects of the Bauhaus within the theoretical, artistic, historical, and cultural concerns in which they were produced and received. Contributions from leading scholars writing in the field today - including Frederic J. Schwartz, Magdalena Droste, and Alina Payne - offer an entirely new treatment of the Bauhaus. Issues such as art and design pedagogy, the practice of photography, copyright law, and critical theory are discussed. ThrArt, German20th centuryDesignGermanyHistory20th centuryAvant-garde (Aesthetics)GermanyHistory20th centuryElectronic books.Art, GermanDesignHistoryAvant-garde (Aesthetics)History709.04Saletnik Jeffrey914850Schuldenfrei Robin763383MiAaPQMiAaPQMiAaPQBOOK9910459103303321Bauhaus construct2050153UNINA