04440nam 2200649Ia 450 991045883370332120200520144314.01-282-71361-297866127136130-8108-7657-4(CKB)2560000000016775(EBL)616316(OCoLC)657608689(SSID)ssj0000414077(PQKBManifestationID)12103313(PQKBTitleCode)TC0000414077(PQKBWorkID)10393814(PQKB)10967453(MiAaPQ)EBC616316(Au-PeEL)EBL616316(CaPaEBR)ebr10404792(CaONFJC)MIL271361(EXLCZ)99256000000001677520100212d2010 uy 0engurcn|||||||||txtccrCinema inferno[electronic resource] celluloid explosions from the cultural margins /edited by Robert G. Weiner, John ClineLanham, Md. Scarecrow Press20101 online resource (421 p.)Description based upon print version of record.0-8108-7656-6 Includes bibliographical references and index.Contents; Foreword; Acknowledgments; Introduction; Part I. REALISM(S); CHAPTER 1. The Neorealist Transgressions of Pier Paolo Pasolini; CHAPTER 2. From Chicago to Watts by Way of Paris and Hollywood: Art-Film Influence on Melvin Van Peebles's Early Features; CHAPTER 3. At the Heart of The Heart of the World Guy Maddin in the Twenty-First Century; Part II. ITALIAN HORROR/GIALLI; CHAPTER 4. Menopausal Monsters and Sexual Transgression in Argento's Art Horror; CHAPTER 5. The More You Rape Their Senses, the Happier They Are: A History of Cannibal HolocaustCHAPTER 6. A Postcard from the Grindhouse: Exotic Landscapes and Italian Holidays in Lucio Fulci's Zombie and Sergio Martino's Torso CHAPTER 7. Body in a Bed, Body Growing Dead: Uncanny Women in Joe D'Amato's Italian Exploitation Cinema; Part III. NEW YORK STATE OF MIND; CHAPTER 8. Bernie's "Deathwish": History and Transgression in New York City; CHAPTER 9. Troma Entertainment: The Boobs, Blood, and Brains of Reel Independence; CHAPTER 10. Exploitation Films and Success: The Half-Told Melodramas of Andy Milligan; Part IV. EXTREME EUROPEAN CINEMACHAPTER 11. B Is for Bile, Blood, and Bones: On Corporeal Bodies in the Films of Peter Greenaway CHAPTER 12. The Films of the Vienna Action Group; CHAPTER 13. Reveries of Blood and Sand: The Cinema of Jean Rollin; CHAPTER 14. A Shadow Poet: Michael Haneke; Part V. CULTURE AT THE MARGINS; CHAPTER 15. Through the Looking Glass Darkly: Considering Theories of Nazi Film and Concepts of Transgression; CHAPTER 16. Christian Scare Films: The Unlikely Pairing of Director Ron Ormond and Preacher Estus Pirkle; CHAPTER 17. Stray Cat Rock: The Politics of Nikkatsu's "Bad Youth" Movies of the Early 1970'sPart VI. CONTEMPORARY FILM CHAPTER 18. Flirting with Subversion: Mainstream Filmmaking, Transgression, and the Case of Joel Schumacher's 8MM; CHAPTER 19. HATED: GG Allin and the Murder Junkies: Scum Rock and the Unlikely Career of Todd Phillips; CHAPTER 20. Cinema of Regression: Grindhouse and the Limits of the Spectatorial Imaginary; Index; About the Editors and ContributorsThis is a provocative collection of essays that provide cutting edge, original research in film studies, discussing a number of 'transgressive' films that have never before had such in-depth analysis and treatment. From '70's Italian horror films and extreme European cinema to Nazi propaganda films and fundamentalist Christian 'scare' movies, these essays explore many different genres and themes.Horror filmsHistory and criticismThrillers (Motion pictures)History and criticismViolence in motion picturesElectronic books.Horror filmsHistory and criticism.Thrillers (Motion pictures)History and criticism.Violence in motion pictures.791.43/6164Weiner Robert G.1966-150001Cline John889846MiAaPQMiAaPQMiAaPQBOOK9910458833703321Cinema inferno1987971UNINA