04463nam 2200697 a 450 991045860920332120210604031132.01-281-12585-797866111258510-226-47208-610.7208/9780226472089(CKB)1000000000400093(EBL)408224(OCoLC)476228051(SSID)ssj0000132377(PQKBManifestationID)11131952(PQKBTitleCode)TC0000132377(PQKBWorkID)10028851(PQKB)10984835(StDuBDS)EDZ0000117463(MiAaPQ)EBC408224(DE-B1597)524616(OCoLC)824142085(DE-B1597)9780226472089(Au-PeEL)EBL408224(CaPaEBR)ebr10210002(CaONFJC)MIL112585(EXLCZ)99100000000040009320030319d2003 uy 0engurun#---|u||utxtccrCrimes of art + terror[electronic resource] /Frank Lentricchia + Jody McAuliffeChicago University of Chicago Press20031 online resource (198 p.)Description based upon print version of record.0-226-47205-1 Includes bibliographical references (p. 169-175) and index.Front matter --CONTENTS --INTRODUCTION --1. GROUNDZEROLAND --2. LITERARY TERRORISTS --3. SOLITARY SAVAGES --4. CROSSING THE LINE --5. ROUGH TRADE --6. DELIBERATE ORPHANS --7. THE LAST MANIACAL FOLLY OF HEINRICH VON KLEIST (A FICTION) --CODA --WORKS CITED --ACKNOWLEDGMENTS --INDEXDo killers, artists, and terrorists need one another? In Crimes of Art and Terror, Frank Lentricchia and Jody McAuliffe explore the disturbing adjacency of literary creativity to violence and even political terror. Lentricchia and McAuliffe begin by anchoring their penetrating discussions in the events of 9/11 and the scandal provoked by composer Karlheinz Stockhausen's reference to the destruction of the World Trade Center as a great work of art, and they go on to show how political extremism and avant-garde artistic movements have fed upon each other for at least two centuries. Crimes of Art and Terror reveals how the desire beneath many romantic literary visions is that of a terrifying awakening that would undo the West's economic and cultural order. This is also the desire, of course, of what is called terrorism. As the authority of writers and artists recedes, it is criminals and terrorists, Lentricchia and McAuliffe suggest, who inherit this romantic, destructive tradition. Moving freely between the realms of high and popular culture, and fictional and actual criminals, the authors describe a web of impulses that catches an unnerving spirit. Lentricchia and McAuliffe's unorthodox approach pairs Dostoevsky's Crime and Punishment with Martin Scorsese's King of Comedy and connects the real-life Unabomber to the surrealist Joseph Cornell and to the hero of Bret Easton Ellis's bestselling novel American Psycho. They evoke a desperate culture of art through thematic dialogues among authors and filmmakers as varied as Don DeLillo, Joseph Conrad, Francis Ford Coppola, Jean Genet, Frederick Douglass, Hermann Melville, and J. M. Synge, among others. And they conclude provocatively with an imagined conversation between Heinrich von Kleist and Mohamed Atta. The result is a brilliant and unflinching reckoning with the perilous proximity of the impulse to create transgressive art and the impulse to commit violence.Literature, Modern19th centuryHistory and criticismLiterature, Modern20th centuryHistory and criticismLiterature, ExperimentalHistory and criticismAvant-garde (Aesthetics)Electronic books.Literature, ModernHistory and criticism.Literature, ModernHistory and criticism.Literature, ExperimentalHistory and criticism.Avant-garde (Aesthetics)809/.911Lentricchia Frank220708McAuliffe Jody1954-929335MiAaPQMiAaPQMiAaPQBOOK9910458609203321Crimes of art + terror2088708UNINA01009nam a2200265 i 4500991001802979707536120906s2011 it 000 0 ita 9788806207304b14073031-39ule_instBiblioteca Interfacoltàita305.8924 Germinario, Francesco223754Argomenti per lo sterminio :stereotipi dell'immaginario antisemita /Francesco GerminarioTorino :G. Einaudi,c2011XXIV p., 396 p. ;22 cm.Einaudi storia ;39Con bibliografiaAntisemitismoEuropa1850-1920Ebrei nell'immaginario collettivo1850-1920.b1407303102-04-1410-09-12991001802979707536LE002 305.8924 GER12002000845498le002pE32.00-l- 02020.i1543995110-09-12Argomenti per lo sterminio240271UNISALENTOle00210-09-12ma -itait 0001471nam--2200457---450-99000041776020331620050811120511.088-04-41824-90041776USA010041776(ALEPH)000041776USA01004177620010426d1996----km-y0itay0103----baitaIT||||||||001yyAlcool CalligrammiGuillaume Apollinairetraduzione di Luciana Frezza...<et al>postfazione di Michel DédaudinMilanoA.Mondadori1996XXXI, 530 p.20 cmOscar classici e moderni136Testo orig. a fronteCalligrammes, Alcools2001Oscar classici e moderni1362001Calligrammes, Alcools23251001-------2001841.912APOLLINAIRE,Guillaume131201FREZZA,LucianaITsalbcISBD990000417760203316VI.4.A. 901(II F A 1053)143752 LMII F AVI.4.A. 901a(II F A 1053 BIS)143753 LMII F AVI.4.A. 901b(II F A 1053 A)143754 LMII F ABKUMAPATTY9020010426USA01144820020403USA011650PATRY9020040406USA011629COPAT59020050811USA011205Calligrammes, Alcools23251UNISA