02781nam 2200721 a 450 991045831960332120200520144314.01-281-24001-X97866112400111-84787-144-5(CKB)1000000000403196(EBL)334331(OCoLC)476141235(SSID)ssj0000113898(PQKBManifestationID)11125020(PQKBTitleCode)TC0000113898(PQKBWorkID)10101271(PQKB)10590746(MiAaPQ)EBC334331(OCoLC)298788790(StDuBDS)EDZ0000071979(Au-PeEL)EBL334331(CaPaEBR)ebr10218183(CaONFJC)MIL124001(EXLCZ)99100000000040319620120412d2005 fy 0engur|n|---|||||txtccrBootlegging[electronic resource] romanticism and copyright in the music industry /Lee MarshallLondon SAGEc20051 online resource (178 p.)Theory, culture & societyDescription based upon print version of record.1-4462-1585-7 0-7619-4490-7 Includes bibliographical references (p. [160]-167) and index.Cover; Contents; Introduction; 1: Lessons from History; 2: Copyright and the Romantic Author; 3: Romanticism and Popular Music; 4: Romanticism, Copyright and Piracy; 5: Problems and Alternatives; 6: Introduction to Bootlegging; 7: An overview of Bootlegging; 8: The Impact of Bootlegging on the Record Industry and the Industry's Response; 9: The Dialectic of Romanticism and the Symbolic Significance of Bootlegging; Bibliography; IndexLee Marshall provides a sociological understanding of authorship and copyright which is elaborated through a case study of bootlegging in the popular music industry.Theory, culture & society (Unnumbered)Sound recordingsPirated editionsSound recordingsPirated editionsSocial aspectsCopyrightMusicCopyrightMusicSocial aspectsRomanticismElectronic books.Sound recordingsPirated editions.Sound recordingsPirated editionsSocial aspects.CopyrightCopyrightMusicSocial aspects.Romanticism.306.484220.14bcl24.45bclMarshall Lee858412StDuBDSStDuBDSBOOK9910458319603321Bootlegging2467229UNINA