02502nam 2200553 a 450 991045758690332120200520144314.00-253-11147-1(CKB)1000000000362365(EBL)268933(OCoLC)475995034(SSID)ssj0000122308(PQKBManifestationID)11135250(PQKBTitleCode)TC0000122308(PQKBWorkID)10123853(PQKB)10513936(MiAaPQ)EBC268933(OCoLC)71322046(MdBmJHUP)muse16697(Au-PeEL)EBL268933(CaPaEBR)ebr10137809(OCoLC)437171679(EXLCZ)99100000000036236520050811d2006 ub 0engur|n|---|||||txtccrCinephilia and history, or, The wind in the trees[electronic resource] /Christian KeathleyBloomington Indiana University Pressc20061 online resource (233 p.)Description based upon print version of record.0-253-34648-7 Includes bibliographical references (p. 179-207) and index.1. The desire for cinema -- 2. The cinephiliac moment and panoramic perception -- 3. André Bazin and the revelatory potential of cinema -- 4. Cahiers du cinéma and the way of looking -- 5. Film and the limits of history -- 6. A cinephiliac history -- 7. Five cinephiliac anecdotes.Cinephilia and History, or The Wind in the Trees is in part a history of cinephilia, in part an attempt to recapture the spirit of cinephilia for the discipline of film studies, and in part an experiment in cinephilic writing.Cinephiles have regularly fetishized contingent, marginal details in the motion picture image: the gesture of a hand, the wind in the trees. Christian Keathley demonstrates that the spectatorial tendency that produces such cinematic encounters -- a viewing practice marked bMotion picturesElectronic books.Motion pictures.791.43/09Keathley Christian1046629MiAaPQMiAaPQMiAaPQBOOK9910457586903321Cinephilia and history, or, The wind in the trees2473660UNINA