05048oam 2200697I 450 991045751240332120200520144314.01-136-05130-91-280-96400-697866109640000-08-047060-210.4324/9780080470603 (CKB)1000000000362580(EBL)286666(OCoLC)476038265(SSID)ssj0000131712(PQKBManifestationID)11129531(PQKBTitleCode)TC0000131712(PQKBWorkID)10027762(PQKB)11763100(MiAaPQ)EBC286666(CaSebORM)9780240806419(Au-PeEL)EBL286666(CaPaEBR)ebr10167031(CaONFJC)MIL96400(OCoLC)123419322(EXLCZ)99100000000036258020180706d2005 uy 0engur|n|---|||||txtccrCrafting short screenplays that connect /Claudia Hunter Johnson2nd ed.Burlington, Mass. :Focal Press, an imprint of Elsevier,2005.1 online resource (303 p.)Description based upon print version of record.1-136-05129-5 0-240-80641-7 Includes bibliographical references (p. 279-281) and index.Front Cover; Crafting Short Screenplays That Connect; Copyright Page; Contents; Preface to the Second Edition; Acknowledgments; Introduction: The Power and Importance of Human Connection; Part I: Preparing to Write the Short Screenplay; Chapter 1.Connecting to Purpose; Only Connect; The Screenplay Paradox; Chapter 2.Connecting to Self; Le Menu; Depart the Donnée; Chapter 3.Connecting to Process; The Space-Time Conundrum; Madness in Your Method; Creating Rituals; Taking Care of Yourself; Just Do It; Chapter 4.Connecting to Screenplays; Surface and Deep Action; Making Change; The Mood ExerciseThe Pearl in the OysterEmotional Flow; Everything You Need to Know You Can LearnFrom City Lights; Demystifying Format; Chapter 5. Connectingto Collaboration; Top Ten Reasons to Write With a Partner; Finding the Right Writing Partner; The Space-Time Conundrum, The Sequel; Co-Drafting the Script; Dealing With Disagreements; Part II: Five (Not So) Easy Screenplays; Chapter 6.The Discovery; The First Screenplay-The Discovery; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 7.The DecisionThe Second Screenplay-The DecisionChoosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 8.The Boxing Match; The Third Screenplay-The Boxing Match; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 9.The Improbable Connection; The Fourth Screenplay-The Improbable Connection; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 10.The Long Short ScreenplayThe Fifth Screenplay-The Long Short ScreenplayChoosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Part III: Seven Screenplays That Make It Look Easy; Chapter 11.Kosher (by Aimee Barth); Chapter 12.My Josephine (by Barry Jenkins); Chapter 13. A Work in Progress (by Wes Ball); Chapter 14.Lena's Spaghetti (by Rachel A. Witenstein); Chapter 15.Cool Breeze and Buzz (by Lani Sciandra); Chapter 16. The Making of "Killer Kite" (story By Matt Stevens, screenplay By Robert S. Gray)Chapter 17.Slow Dancin' Down the Aisles of the Quickcheck (by Thomas Wade Jackson)Chapter 18.Conclusion; Appendix A: Available Screenwriting Software; Appendix B: Films Referenced; Appendix C: Further Reading; IndexThe only screenwriting book that includes a DVD that contains performances of the short films and screenplays that are featured in the book!The beauty and power of any story lies in its ability to connect to the reader, listener, or observer. Crafting Short Screenplays That Connect is the first screenwriting guide to introduce connection as an essential, although essentially overlooked, aspect of creating stories for the screen and of the screenwriting process itself. Written with clarity and humor, this book teaches the craft of writing short screenplays by guiMotion picture authorshipShort filmsElectronic books.Motion picture authorship.Short films.808.2/3Johnson Claudia(Claudia Hunter),901482MiAaPQMiAaPQMiAaPQBOOK9910457512403321Crafting short screenplays that connect2014894UNINA