02576nam 2200601 a 450 991045739590332120200520144314.01-283-95242-41-78042-801-4(CKB)2550000000089135(EBL)886932(OCoLC)778448857(SSID)ssj0000636876(PQKBManifestationID)12255494(PQKBTitleCode)TC0000636876(PQKBWorkID)10677609(PQKB)10128645(MiAaPQ)EBC886932(PPN)197278647(Au-PeEL)EBL886932(CaPaEBR)ebr10532468(CaONFJC)MIL426492(EXLCZ)99255000000008913520120315d2012 uy 0engur|n|---|||||txtccrImpressionism[electronic resource] /Nathalia BrodskaïaNew York Parkstone International[2012?]1 online resource (200 p.)Art of century collectionDescription based upon print version of record.1-84484-743-8 Includes bibliographical references and index.CONTENTS; PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX"Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent Art of century collection.Impressionism (Art)Impressionism (Art)Pictorial worksElectronic books.Impressionism (Art)Impressionism (Art)759.06Brodskai͡a N. V(Natalʹi͡a Valentinovna)863734MiAaPQMiAaPQMiAaPQBOOK9910457395903321Impressionism2096299UNINA