02448nam 2200601Ia 450 991045737620332120200520144314.00-8166-8779-X(CKB)1000000000347043(EBL)310420(OCoLC)299572524(SSID)ssj0000130038(PQKBManifestationID)11134887(PQKBTitleCode)TC0000130038(PQKBWorkID)10080687(PQKB)10672701(MiAaPQ)EBC310420(OCoLC)191944195(MdBmJHUP)muse38951(Au-PeEL)EBL310420(CaPaEBR)ebr10159581(CaONFJC)MIL522447(EXLCZ)99100000000034704319971015d1998 ub 0engurcn|||||||||txtccrContract with the skin[electronic resource] masochism, performance art, and the 1970s /Kathy O'DellMinneapolis University of Minnesota Pressc19981 online resource (176 p.)Description based upon print version of record.0-8166-2887-4 0-8166-2886-6 Includes bibliographical references (p. 111-122) and index.CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; 1 HE GOT SHOT; 2 HIS MOUTH/HER SKIN; 3 MY MIRROR; 4 THEIR BEDS; 5 HOME AGAIN; 6 CONCLUSION; NOTES; SELECTED BIBLIOGRAPHY; INDEXFocusing on 1970's performance artists Vito Acconci, Chris Burden, Gina Pane, and collaborators Marina Abramovi`c/Ulay as well as those with similar sensibilities from the late 1980's onward (Bob Flanagan, David Wojnarowicz, Simon Leung, Catherine Opie, Ron Athey, Lutz Bacher, and Robby Garfinkel), O'Dell provides photographic documentation of performances and quotations from interviews with many of the artists. Throughout, O'Dell asks what we can do about the institutionalized forms of masochism for which these performances are metaphors.Performance artMasochism in artElectronic books.Performance art.Masochism in art.700/.9/045702.81O'Dell Kathy998663MiAaPQMiAaPQMiAaPQBOOK9910457376203321Contract with the skin2290928UNINA