01369nam2 22003013i 450 SUN010545820160517121218.5600.00IT1912 96320160513d1912 |0itac50 baitaCH|||| |||||1: *Introduzione, presupposti e genesi del dogmaAdolfo HarnackMendrisio : Cultura moderna, 1912404 p.20 cmBiblioteca Lauria.001SUN01054572001 *Biblioteca economica di scienze religiose3-4210 MendrisioCultura moderna.001SUN01054562001 *Manuale di storia del dogmaAdolfo Harnackprima versione italiana sulla 4. edizione tedesca1210 MendrisioCultura moderna1912-1914215 volumi20 cm.MendrisioSUNL000529Harnack, Adolf vonSUNV082021177526Cultura modernaSUNV009803650ITSOL20181109RICASUN0105458UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00 CONS BL.900M.652 (1) 00 BL 3325 SLP UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZABL3325CONS BL.900M.652 (1) SLPcaIntroduzione, presupposti e genesi del dogma569293UNICAMPANIA01543nam--2200445---450-99000284251020331620101130122030.0000284251USA01000284251(ALEPH)000284251USA0100028425120061204d2005----km-y0itay50------baitaIT||||||||001yyCommentario breve al codice civile : complemento giurisprudenzialeappendice novembre 2005 con il nuovo Codice del consumoGiorgio Cian, Alberto Trabucchi7. ed.PadovaCEDAM2005146 p.24 cmBreviaria iuris2001Codice civile346.45002632CIAN,Giorgio228789TRABUCCHI,Alberto113615ITsalbcISBD990002842510203316XXV.1.B. 587 1 (COLL EQY 1 COMPL.APP. 2005)48926 G.XXV.1.B. 587 1 (COLL.EQY)00209095XXV.1.B. 587 3 (COLL EQY 1 COMPL.APP. 2005)48926/A G.XXV.1.B. 587 3 (COLL EQY 1)00119486BKGIUIANNONE9020061204USA011152IANNONE9020061221USA011325PATRY9020081028USA011817PATRY9020081105USA011532RSIAV49020091009USA011135RSIAV29020101001USA010941FIORELLA9020101130USA011220Commentario breve al codice civile576120UNISA03531nam 2200613 a 450 991045714730332120200520144314.00-8014-6092-110.7591/9780801460920(CKB)2550000000035306(OCoLC)732279932(CaPaEBR)ebrary10468062(SSID)ssj0000534666(PQKBManifestationID)11339490(PQKBTitleCode)TC0000534666(PQKBWorkID)10511645(PQKB)10086259(StDuBDS)EDZ0001495766(MiAaPQ)EBC3138183(MdBmJHUP)muse28885(DE-B1597)478536(OCoLC)813376185(OCoLC)961505903(DE-B1597)9780801460920(Au-PeEL)EBL3138183(CaPaEBR)ebr10468062(CaONFJC)MIL767797(EXLCZ)99255000000003530620100818d2011 uy 0engur|||||||||||txtccrBroken harmony[electronic resource] Shakespeare and the politics of music /Joseph M. OrtizIthaca Cornell University Press20111 online resource (277 p.)Bibliographic Level Mode of Issuance: Monograph0-8014-4931-6 Includes bibliographical references and index.Titus Andronicus and the production of musical meaning -- "Her speech is nothing" : mad speech and the female musician -- Teaching music : the rule of allegory -- Impolitic noise : resisting Orpheus from Julius Caesar to The tempest -- Shakespeare's idolatry : psalms and hornpipes in The winter's tale -- The reforming of reformation : Milton's A maske.Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music's illegibility rather than come to terms with its actual effects. In Broken Harmony, Joseph M. Ortiz revises our understanding of music's relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged.Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare's plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter's Tale) and Milton's A Maske, Ortiz challenges the consensus that music's affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music's function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function.Music in literatureElectronic books.Music in literature.822.3/3Ortiz Joseph M.1972-1039311MiAaPQMiAaPQMiAaPQBOOK9910457147303321Broken harmony2461446UNINA