02843nam 2200673 a 450 991045705220332120200520144314.01-317-09168-X1-283-23523-497866132352371-4094-2096-5(CKB)2550000000046013(EBL)762278(OCoLC)759101262(SSID)ssj0000539343(PQKBManifestationID)12271190(PQKBTitleCode)TC0000539343(PQKBWorkID)10569115(PQKB)10667342(MiAaPQ)EBC762278(MiAaPQ)EBC4976970(Au-PeEL)EBL762278(CaPaEBR)ebr10493859(CaONFJC)MIL919203(Au-PeEL)EBL4976970(CaONFJC)MIL323523(OCoLC)748215507(EXLCZ)99255000000004601320110308d2011 uy 0engur|n|---|||||txtccrMusic, masculinity and the claims of history[electronic resource] the Austro-German tradition from Hegel to Freud /Ian BiddleBurlington, Vt. Ashgatec20111 online resource (245 p.)Description based upon print version of record.1-322-87751-3 1-4094-2095-7 Includes bibliographical references and index.Cover; Contents; List of Figures; Introduction; 1 Discourse Channels: Listening as a Cultural-Historical Category in the Austro-German Frühromantik; 3 Rage Against the Rabble: Gender Nostalgia and the Metropolitan Imagination in Heinrich Schenker's Kontrapunkt (1910 and 1922); 4 Song of the Body: Mahler, Kafka and the Male Jewish Body at the Habsburg fin de siècle; 5 Postlude; Bibliography; IndexWhat does it mean to think of Western Art music - and the Austro-German contribution to that repertory - as a tradition? How are men and masculinities implicated in the shaping of that tradition? And how is the writing of the history (or histories) of that tradition shaped by men and masculinities? This book seeks to answer these and other questions.MusicEurope, German-speaking19th centuryHistory and criticismMusicEurope, German-speaking20th centuryHistory and criticismMasculinity in musicElectronic books.MusicHistory and criticism.MusicHistory and criticism.Masculinity in music.780.943Biddle Ian D959052MiAaPQMiAaPQMiAaPQBOOK9910457052203321Music, masculinity and the claims of history2252719UNINA