01523nam 2200433 450 00000944520070503173200.00-19-281205-X20020116d1976----km-y0itay0103----baengGBHow to do things with wordsthe William James lectures delivered at Harvard University in 1955J. L. Austinedited by J. O. Urbson and Marina Sbisà1 00021142 ed.OxfordOxford University Press1976VIII, 176 p.20 cm.Oxford PaperbacksFilosofia del linguaggio401(20. ed.)Linguaggio. Filosofia e teoriaAustin,John Langshaw192688Urmson,James OpieSbisà,MarinaITUniversità della Basilicata - B.I.A.RICAunimarc000009445How to do Things with Words26318UNIBASMONLETMONOGRLETTERESTD0010120020116BAS011311TROMBONE0120020121BAS01104820050601BAS011754batch0120050718BAS01105020050718BAS01110920050718BAS01113920050718BAS011153BATCH0020070503BAS011732BAS01BAS01BOOKBASA1Polo Storico-UmanisticoGENCollezione generaleFP/1129011290112902002011602Prestabile Generale03757nam 2200697 a 450 991045701930332120200520144314.01-283-13597-397866131359710-231-51919-210.7312/sing14718(CKB)2550000000036487(EBL)908619(OCoLC)750192369(SSID)ssj0000537165(PQKBManifestationID)12251882(PQKBTitleCode)TC0000537165(PQKBWorkID)10550702(PQKB)10853762(MiAaPQ)EBC908619(DE-B1597)459337(OCoLC)741453648(OCoLC)979751600(DE-B1597)9780231519199(Au-PeEL)EBL908619(CaPaEBR)ebr10472071(CaONFJC)MIL313597(EXLCZ)99255000000003648720100407d2011 uy 0engur|n|---|||||txtccrGlobalized arts[electronic resource] the entertainment economy and cultural identity /J.P. SinghNew York Columbia University20111 online resource (237 p.)Description based upon print version of record.0-231-14719-8 0-231-14718-X Includes bibliographical references and index.Introduction. The creative voice and cultural identity -- Cultural politics and global anxieties -- Value, markets, patronage -- Culture wars -- UNESCO and the Europeans -- Cultural patrons in the developing world -- Culture by any other name -- The creative voice and cultural policy.Our interactive world can take a creative product, such as a Hollywood film, Bollywood song, or Latin American telenovela, and transform it into a source of cultural anxiety. What does this artwork say about the artist or the world she works in? How will these artworks evolve in the global market? Film, music, television, and the performing arts enter the same networks of exchange as other industries, and the anxiety they produce informs a fascinating area of study for art, culture, and global politics.Focusing on the confrontation between global politics and symbolic creative expression, J. P. Singh shows how, by integrating themselves into international markets, entertainment industries give rise to far-reaching cultural anxieties and politics. With examples from Hollywood, Bollywood, French grand opera, Latin American television, West African music, postcolonial literature, and even the Thai sex trade, Singh cites not only the attempt to address cultural discomfort but also the effort to deny entertainment acts as cultural. He connects creative expression to clashes between national identities, and he details the effect of cultural policies, such as institutional patronage and economic incentives, on the making and incorporation of art into the global market. Ultimately, Singh shows how these issues affect the debates on cultural trade being waged by the World Trade Organization, UNESCO, and the developing world.Arts and globalizationCulture and globalizationArtsPolitical aspectsArtsEconomic aspectsElectronic books.Arts and globalization.Culture and globalization.ArtsPolitical aspects.ArtsEconomic aspects.306.4/7Singh J. P.1961-925754MiAaPQMiAaPQMiAaPQBOOK9910457019303321Globalized arts2466647UNINA