03970nam 2200721Ia 450 991045685490332120200520144314.00-8147-7225-00-8147-7290-01-4416-3661-710.18574/9780814772904(CKB)2520000000007934(EBL)865881(OCoLC)779828280(SSID)ssj0000340678(PQKBManifestationID)11947681(PQKBTitleCode)TC0000340678(PQKBWorkID)10408069(PQKB)10392900(StDuBDS)EDZ0001326152(MiAaPQ)EBC865881(OCoLC)558991451(MdBmJHUP)muse10433(DE-B1597)547491(DE-B1597)9780814772904(Au-PeEL)EBL865881(CaPaEBR)ebr10356703(EXLCZ)99252000000000793420090722d2010 uy 0engur|n|---|||||txtccrMusical imagiNation[electronic resource] U.S.-Colombian identity and the Latin music boom /María Elena CepedaNew York New York University Press20101 online resource (268 p.)Description based upon print version of record.0-8147-1692-X 0-8147-1691-1 Includes bibliographical references and index.Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 La crisis colombiana -- 2 A Miami Sound Machine -- 3 Shakira as the Idealized Transnational Citizen -- 4 Florecita rockera -- 5 The Colombian Vallenato acá y allá -- 6 The Colombian Transcultural Aesthetic Recipe -- Afterword -- Notes -- References -- Discography -- Index -- About the Author Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami’s growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock en español, pop, and vallenato stars.Musical ImagiNation provides an overview of the ongoing Colombian political and economic crisis and the dynamics of Colombian immigration to metropolitan Miami. More notably, placed in this context, the book discusses the creative work and media personas of talented Colombian artists Shakira, Andrea Echeverri of Aterciopelados, and Carlos Vives. In her examination of the transnational figures and music that illuminate the recent shifts in the meanings attached to Colombian identity both in the United States and Latin America, Cepeda argues that music is a powerful arbitrator of memory and transnational identity.MusicSocial aspectsUnited StatesHistory20th centuryPopular musicFloridaMiamiHistory and criticismPopular musicColombiaHistory and criticismMusic tradeFloridaMiamiIdentity (Psychology) and mass mediaElectronic books.MusicSocial aspectsHistoryPopular musicHistory and criticism.Popular musicHistory and criticism.Music tradeIdentity (Psychology) and mass media.781.64089/68861075938Cepeda María Elena1053228MiAaPQMiAaPQMiAaPQBOOK9910456854903321Musical imagiNation2485025UNINA