03487oam 2200697I 450 991045683780332120200520144314.01-315-43076-21-315-43077-01-61132-798-910.4324/9781315430775 (CKB)2550000000036398(EBL)714453(OCoLC)730151900(SSID)ssj0000535627(PQKBManifestationID)12215962(PQKBTitleCode)TC0000535627(PQKBWorkID)10523531(PQKB)11525715(MiAaPQ)EBC714453(Au-PeEL)EBL714453(CaPaEBR)ebr10471976(CaONFJC)MIL928106(OCoLC)954006840(EXLCZ)99255000000003639820180706e20162011 uy 0engur|n|---|||||txtccrCuster on canvas representing Indians, memory, and violence in the new West /Norman K. DenzinLondon ;New York :Routledge,2016.1 online resource (297 p.)First published 2011 by Left Coast Press, Inc.1-59874-598-0 1-59874-599-9 Includes bibliographical references and index.Contents; Acknowledgments; Introduction; Dramatis Personae; Chapter One - A Good Day to Die: The Battle of Many Names; Chapter Two - Whose Last Stand? The Early Paintings; Chapter Three - Whose Custer?; Chapter Four - Killing Custer; Chapter Five - Here Fell Custer: An Autoethnography of a Painting; Chapter Six - Custer's Last Rally; Chapter Seven - The Last Stand; Appendix A - Timeline: The Plains Indian Wars (1860-1890) and the Battle of Many Names (1876); Appendix B - Timeline: Paintings of the Battle of Many Names; Appendix C - Timeline: William F. "Buffalo Bill" Cody; NotesList of Plates and CreditsReferences; Index; About the Author; Section of color platesThe 1876 events known as Custer's Last Stand, Battle of Little Big Horn, or Battle of Greasy Grass have been represented over 1000 times in various artistic media, from paintings to sculpture to fast food giveaways. Norman Denzin shows how these representations demonstrate the changing perceptions-often racist-of Native America by the majority culture, juxtaposed against very different readings shown in works composed by Native American artists. Consisting of autobiographical reminiscences, historical description, artistic representations, staged readings, and snippets of documents, this Little Bighorn, Battle of the, Mont., 1876Pictorial worksLittle Bighorn, Battle of the, Mont., 1876, in artLittle Bighorn, Battle of the, Mont., 1876DramaIndians in artIndians in popular cultureMontanaLittle Bighorn BattlefieldPictorial worksElectronic books.Little Bighorn, Battle of the, Mont., 1876Little Bighorn, Battle of the, Mont., 1876, in art.Little Bighorn, Battle of the, Mont., 1876Indians in art.Indians in popular culture973.8/2092Denzin Norman K.27745MiAaPQMiAaPQMiAaPQBOOK9910456837803321Custer on canvas2083897UNINA02881nam 2200493 450 991046775700332120200923020339.090-04-35454-910.1163/9789004354548(CKB)4100000000426537(MiAaPQ)EBC5100727 2017039102(nllekb)BRILL9789004354548(Au-PeEL)EBL5100727(CaPaEBR)ebr11452279(CaONFJC)MIL1041472(OCoLC)1001287826(EXLCZ)99410000000042653720171109h20172017 uy 0engurcnu||||||||rdacontentrdamediardacarrierA critical examination of the coherence-based genealogical method in New Testament textual criticism /by Peter J. GurryLeiden, The Netherlands ;Boston, [Massachusetts] :Brill,2017.©20171 online resource (268 pages) illustrationsNew Testament Tools, Studies and Documents,0077-8842 ;Volume 5590-04-35431-X Includes bibliographical references and indexes.Front Matter -- Introduction -- The History and Reception of the CBGM -- The CBGM in Theory and Practice -- Recovering the Initial Text -- Scribal Tendencies in James -- A Historical Test: The Harklean Group in the CBGM -- The Selection of Variants in the CBGM -- Limitations and Improvements -- Summary and Conclusion -- Appendix A: Changes in NA/UBS/ECM -- Appendix B: Harklean Readings in 1 John -- Appendix C: Orthographica in James -- Bibliography -- Indexes.This study offers the first sustained examination of the Coherence-Based Genealogical Method (CBGM), a computerized method being used to edit the most widely-used editions of the Greek New Testament. Part one addresses the CBGM’s history and reception before providing a fresh statement of its principles and procedures. Parts two and three consider the method’s ability to recover the initial text and to delineate its history. A new portion of the global stemma is presented for the first time and important conclusions are drawn about the nature of the initial text, scribal habits, and the origins of the Byzantine text. A final chapter suggests improvements and highlights limitations. Overall, the CBGM is positively assessed but not without important criticisms and cautions.New Testament tools, studies and documents ;Volume 55.Electronic books.225.4046Gurry Peter J.1055926MiAaPQMiAaPQMiAaPQBOOK9910467757003321A critical examination of the coherence-based genealogical method in New Testament textual criticism2489757UNINA