04932nam 2200709 450 991045678640332120200520144314.01-4426-8796-710.3138/9781442687967(CKB)2550000000019250(EBL)3268192(OCoLC)923772284(SSID)ssj0000478242(PQKBManifestationID)11320109(PQKBTitleCode)TC0000478242(PQKBWorkID)10418982(PQKB)11205546(CaPaEBR)430768(CaBNvSL)slc00224313(MiAaPQ)EBC3268192(MiAaPQ)EBC4672579(DE-B1597)465376(OCoLC)1013966674(OCoLC)944176901(DE-B1597)9781442687967(Au-PeEL)EBL4672579(CaPaEBR)ebr11258241(OCoLC)958565264(EXLCZ)99255000000001925020160926h20082008 uy 0engur|n|---|||||txtccrEditing the image strategies in the production and reception of the visual : including papers given at the thirty-ninth annual Conference on Editorial Problems, University of Toronto, 7-8 November 2003 /edited by Mark A. Cheetham, Elizabeth Legge, and Catherine M. SoussloffToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2008.©20081 online resource (269 p.)Conference on Editorial ProblemsIncludes index.0-8020-9248-9 Includes bibliographical references and index.Frontmatter -- Contents -- Notes on Contributors -- Acknowledgments -- Illustrations -- Introduction / Cheetham, Mark A. / Legge, Elizabeth / Soussloff, Catherine M. -- Editing Identity -- 1. Mr Blank Gets Concretized / Greyson, John -- 2. Striking Through the Artist's Body: Ekphrasis in Bellori's Life of Caravaggio / Olson, Todd P. -- Editing the Body of History -- 3. An Edited Past: Aegean Prehistory and Its Texts / Manning, Sturt W. -- 4. The Trouble with Painting, the Image (less) Text / Soussloff, Catherine M. -- Spectacular Editing -- 5. Concealing Spectacles: Childbirth and Visuality in Early Modern France / McTavish, Lianne -- 6. Edit In ... Edit Out: A Performance/Intervention / Steele, Lisa / Tomczak, Kim -- Aura and Edit -- 7. Editing Armageddon / O'Brian, John -- 8. Editing the Image: Two On-site/Online Exhibitions / Greenberg, Reesa -- Institutions of Art and Editorial Practices -- 9. The Art Museum as Installation: An Interpretation of the Place of Matisse's The Joy of Life in the Barnes Foundation / Carrier, David -- 10. Editing In vs. Editing Out: World Art Studies and the Pathologies of Academe / Onians, John -- Conclusions -- 11. 'Editorial' Afterthoughts / Hutcheon, Linda -- Envoi What Remains: The Nachleben of the Invisible / Unwalla, Fred R. -- Index -- Previous Conference PublicationsThe editing process is a vital part of virtually every form of media. Primarily associated with texts and written language, editing is equally essential, if less examined, in regard to visual media. Editing the Image looks at the editing of visual media as both a series of technical exercises and as an allegory. It touches on concerns that are crucial to the history of art and visual culture, as well as those media and institutions that produce and disseminate the visual arts in our society.Featuring contributors from a wide range of disciplines, Editing the Image considers editing in the context of academic journals, art-historical texts, illustrated books, museum displays, and exhibitions. It is an inclusive analysis of visual forms commonly associated with the process of editing - photography, film, and video - as well as some that are not intrinsically linked to editing - painting, sculpture, and architecture. In addition to wide-ranging academic considerations, this collection includes discussions of moving picture media and studio art by practitioners, giving the study a practical focus. For anyone who has considered the implications of the editorial process, this work will be of significant interest.EditingCongressesArtCongressesElectronic books.EditingArt700Cheetham Mark A(Mark Arthur),1954-Legge Elizabeth1952-Soussloff Catherine M.Conference on Editorial Problems(39th :2003 :University of Toronto)MiAaPQMiAaPQMiAaPQBOOK9910456786403321Editing the image2125379UNINA