02784nam 2200589 a 450 991045676970332120200520144314.00-8166-7697-6(CKB)2550000000032365(EBL)678667(OCoLC)713023007(SSID)ssj0000471903(PQKBManifestationID)12166778(PQKBTitleCode)TC0000471903(PQKBWorkID)10434070(PQKB)10684417(MiAaPQ)EBC678667(Au-PeEL)EBL678667(CaPaEBR)ebr10461000(EXLCZ)99255000000003236520101203d2011 uy 0engur|n|---|||||txtccrOut of the vinyl deeps[electronic resource] Ellen Willis on rock music /Ellen Willis ; edited by Nona Willis Aronowitz ; foreword by Sasha Frere-Jones ; afterword by Daphne Carr and Evie NagyMinneapolis [Minn.] University of Minnesota Press20111 online resource (263 p.)Chiefly essays originally published in The New Yorker magazine, 1968-1975.0-8166-7282-2 Includes bibliographical references.COVER; CONTENTS; FOREWORD: OPENING THE VAULT; INTRODUCTION: WAKE-UP CALL; BEFORE THE FLOOD; 1. THE WORLD-CLASS CRITIC; 2. THE ADORING FAN; 3. THE SIXTIES CHILD; 4. THE FEMINIST; 5. THE NAVIGATOR; 6. THE SOCIOLOGIST; AFTERWORD: RAISE YOUR HANDIn 1968, the New Yorker hired Ellen Willis as its first popular music critic. Her column, Rock, Etc., ran for seven years and established Willis as a leader in cultural commentary and a pioneer in the nascent and otherwise male-dominated field of rock criticism. As a writer for a magazine with a circulation of nearly half a million, Willis was also the country's most widely read rock critic. With a voice at once sharp, thoughtful, and ecstatic, she covered a wide range of artistsùBob Dylan, The Who, Van Morrison, Elvis Presley, David Bowie, the Rolling Stones, Creedence Clearwater Revival, JonRock music1961-1970History and criticismRock music1971-1980History and criticismElectronic books.Rock musicHistory and criticism.Rock musicHistory and criticism.781.66Willis Ellen961079Aronowitz Nona Willis1984-961080Frere-Jones Sasha961081Carr Daphne961082Nagy Evie961083MiAaPQMiAaPQMiAaPQBOOK9910456769703321Out of the vinyl deeps2178968UNINA