04155nam 2200733 450 991045645100332120200520144314.01-282-00853-697866120085351-4426-7102-510.3138/9781442671027(CKB)2420000000003827(OCoLC)244767332(CaPaEBR)ebrary10218653(SSID)ssj0000289159(PQKBManifestationID)11222555(PQKBTitleCode)TC0000289159(PQKBWorkID)10385142(PQKB)10393052(CaBNvSL)thg00600172 (MiAaPQ)EBC3254749(MiAaPQ)EBC4671201(DE-B1597)464189(OCoLC)1013949071(OCoLC)944178467(DE-B1597)9781442671027(Au-PeEL)EBL4671201(CaPaEBR)ebr11256921(CaONFJC)MIL200853(OCoLC)958571804(EXLCZ)99242000000000382720160922h20022002 uy 0engurcn|||||||||txtccrArt and the German bourgeoisie Alfred Lichtwark and modern painting in Hamburg, 1886-1914 /Carolyn KayToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2002.©20021 online resource (197 p.) Bibliographic Level Mode of Issuance: Monograph0-8020-0922-0 Includes bibliographical references and index.Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Alfred Lichtwark and Modern German Art -- 2. The Petersen Portrait: The Failure of Modern Art as Monument in Hamburg -- 3. The Scandal in 1896 over the 'New Tendency' -- 4. Lichtwark and the Society of Hamburg's Patrons of Fine Art (the Gesellschaft Hamburgischer Kunstfreunde) -- Conclusion -- Notes -- Bibliography -- IndexIn this new study of art in fin-de-siècle Hamburg, Carolyn Kay examines the career of the city's art gallery director, Alfred Lichtwark, one of Imperial Germany's most influential museum directors and a renowned cultural critic. A champion of modern art, Lichtwark stirred controversy among the city's bourgeoisie by commissioning contemporary German paintings for the Kunsthalle by secession artists and supporting the formation of an independent art movement in Hamburg influenced by French impressionism. Drawing on an extensive amount of archival research, and combining both historical and art historical approaches, Kay examines Lichtwark's cultural politics, their effect on the Hamburg bourgeoisie, and the subsequent changes to the cultural scene in Hamburg.Kay focuses her study on two modern art scandals in Hamburg and shows that Lichtwark faced strong public resistance in the 1890s, winning significant support from the city's bourgeoisie only after 1900. Lichtwark's struggle to gain acceptance for impressionism highlights conflicts within the city's middle class as to what constituted acceptable styles and subjects of German art, with opposition groups demanding a traditional and 'pure' German culture. The author also considers who within the Hamburg bourgeoisie supported Lichtwark, and why. Kay's local study of the debate over cultural modernism in Imperial Germany makes a significant contribution both to the study of modernism and to the history of German culture.Painting, German19th centuryPainting, German20th centuryArt patronageGermanyHamburgArt and the middle classGermanyHamburgElectronic books.Painting, GermanPainting, GermanArt patronageArt and the middle class759.3/515Kay Carolyn Helen1048531MiAaPQMiAaPQMiAaPQBOOK9910456451003321Art and the German bourgeoisie2476884UNINA01555nam0 22003373i 450 VAN0012312120240806100812.737978-88-452-9586-720190903d2018 |0itac50 baitaIT|||| |||||Dignità ed eccellenza dell'uomoGiannozzo Manettiintroduzione di Stefano U. Baldassarritraduzione, note e apparati di Giuseppe Marcellino[Milano] : Bompiani Testi a fronte2018358 p.20 cmTesto originale a fronte.001VAN000763892001 Bompiani. Testi a fronte210 MilanoBompiani160VAN00123122De dignitate et excellentia hominis.556317MilanoVANL000284ManettiGiannozzoVANV094508151786BaldassarriStefano U.VANV094510MarcellinoGiuseppeVANV094509Bompiani <editore>VANV108062650ITSOL20240906RICABIBLIOTECA DEL DIPARTIMENTO DI ECONOMIAIT-CE0106VAN03BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZAIT-CE0105VAN00VAN00123121BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS XXI.Ed.358 00UBG4616 20190903 BIBLIOTECA DEL DIPARTIMENTO DI ECONOMIA03PREST IIIAb22 03BDE2531 20200421 De dignitate et excellentia hominis556317UNICAMPANIA