02561nam 2200625 450 991046081500332120210501004343.03-11-057992-83-11-041766-93-11-041780-410.1515/9783110417661(CKB)3710000000519836(EBL)4338516(SSID)ssj0001583141(PQKBManifestationID)16260217(PQKBTitleCode)TC0001583141(PQKBWorkID)14861559(PQKB)10816443(MiAaPQ)EBC4338516(DE-B1597)450274(OCoLC)979847328(DE-B1597)9783110417661(Au-PeEL)EBL4338516(CaPaEBR)ebr11146757(CaONFJC)MIL888917(OCoLC)935921770(EXLCZ)99371000000051983620160212h20162016 uy 0engur|nu---|u||utxtccrTraditional Chinese medicine theory and principles /edited by Hu DongpeiBeijing, [China] :De Gruyter,2016.©20161 online resource (190 p.)Description based upon print version of record.3-11-041767-7 3-11-041729-4 Includes bibliographical references and index.Front matter --Preface --Contents --1 Introduction --2 The Philosophical Basis of Traditional Chinese Medicine --3 Visceral Manifestation --4 The Theory of Qi, Blood, and Body Fluids --5 Theory of Meridians and Collaterals --6 Constitutional Theory --7 Onset of Disease --8 Etiology --9 Pathogenesis --10 Principles of Prevention and Treatment of Diseases --ReferencesDerived from ancient Chinese philosophy, Traditional Chinese Medicine is considered to be difficult to understand. This book provides an overview of Traditional Chinese Medicine by illustrating the topics of visceral manifestation, etiology and pathology in a clear manner to readers. Clinical treatments are included to serve as references for practice. This book is well-suited for both researchers and practitioners.Medicine, ChineseElectronic books.Medicine, Chinese.610.951Hu DongpeiMiAaPQMiAaPQMiAaPQBOOK9910460815003321Traditional Chinese medicine2261476UNINA04465nam 2200733 450 991045644950332120200520144314.01-282-01186-397866120118631-4426-7098-310.3138/9781442670983(CKB)2420000000003825(EBL)3254977(SSID)ssj0000289118(PQKBManifestationID)11208001(PQKBTitleCode)TC0000289118(PQKBWorkID)10381868(PQKB)11154135(CaBNvSL)thg00600235 (MiAaPQ)EBC3254977(MiAaPQ)EBC4671197(DE-B1597)464187(OCoLC)1002222051(OCoLC)1004867179(OCoLC)1011439573(OCoLC)1013936294(OCoLC)944178498(OCoLC)999354284(DE-B1597)9781442670983(Au-PeEL)EBL4671197(CaPaEBR)ebr11256917(CaONFJC)MIL201186(OCoLC)244767807(EXLCZ)99242000000000382520160922h20032003 uy 0engur|n|---|||||txtccrAriosto today contemporary perspectives /edited by Donald Beecher, Massimo Ciavolella, and Roberto FediToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2003.©20031 online resource (250 p.)Toronto Italian StudiesDescription based upon print version of record.0-8020-2967-1 Frontmatter -- Contents -- Preface -- Introduction / Beecher, Donald A. / Ciavolella, Massimo / Fedi, Roberto -- Ariosto and the Classics in Ferrara / Looney, Dennis -- The Orlando innamorato and the Genesis of the Furioso / Franceschetti, Antonio -- The History of the Furioso / Casadei, Alberto -- 'The Nightingale in a Cage': Ariosto and the Este Court / Masi, Giorgio -- Ariosto: Landscape Artist / Farnetti, Monica -- The Advertising of Fictionality in Orlando furioso / Javitch, Daniel -- A Reading of the Interlaced Plot of the Orlando funoso: The Three Cases of Love Madness / Weaver, Elissa B. -- The Lyric Poetry of Ariosto / Fedi, Roberto -- The Theatre of Ariosto / Bianchi, Stefano -- From Poem to Theatre to Cinema: Luca Ronconi's Orlando furioso / Bernardi, Sandro -- Ariosto and Calvino: The Adventures of a Reader / Re, Lucia -- ContributorsLudovico Ariosto's Orlando furioso is one of the masterpieces of the Renaissance, a work which, many argue, signalled the apogee of Renaissance fancy on the precipice of irony and decline. This collection of essays brings together twelve noted Italian and American scholars to provide a complete picture of Ariosto and all his works, covering topics such as historical criticism relating to Ariosto's place and time; philological investigations into the varying literary styles of the author, especially outside of the Furioso; Ariosto's extrinsic relationships with other literary traditions; and formal and thematic excavations of the immanent aesthetics of the Furioso.Each essayist acknowledges the fact that Ariosto's creations are charged with allusions and allegiances variously inviting recognition or demanding the status of record. This reading of his works reveals that Ariosto was not a writer who believed, as it was previously thought, that literature is something escapist or fantastic in nature, but one who, in writing and re-writing his works, tried to re-interpret literary tradition while incorporating the new literary instruments that were available to him at the time: Ariosto's literary production is an integration of tradition and invention. This new reading of his work will be essential to any Italianist's library.Toronto Italian studies.Major Italian authorsLITERARY CRITICISM / European / ItalianbisacshElectronic books.LITERARY CRITICISM / European / Italian.851/.3Beecher DonaldCiavolella Massimo1942-Fedi RobertoMiAaPQMiAaPQMiAaPQBOOK9910456449503321Ariosto today2477362UNINA