02861nam 2200709 450 991045644180332120200520144314.01-282-03983-097866120398361-4426-7111-410.3138/9781442671119(CKB)2420000000003833(OCoLC)658108801(CaPaEBR)ebrary10219347(SSID)ssj0000289483(PQKBManifestationID)11220305(PQKBTitleCode)TC0000289483(PQKBWorkID)10401627(PQKB)11364323(CaBNvSL)slc00211315 (MiAaPQ)EBC3255439(MiAaPQ)EBC4671208(DE-B1597)464196(OCoLC)944178451(DE-B1597)9781442671119(Au-PeEL)EBL4671208(CaPaEBR)ebr11256926(OCoLC)958571404(EXLCZ)99242000000000383320160922h19921992 uy 0engurcn|||||||||txtccrAural images of lost traditions sharps and flats in the sixteenth century /Robert ToftToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,1992.©19921 online resource (208 p.) Bibliographic Level Mode of Issuance: Monograph0-8020-5929-5 Includes bibliographical references and indexes.Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. Theoretical Framework -- 2. Pitch-Content in Josquin's Motets -- 3. The German Custom -- 4. Traditions of Pitch-Content -- Conclusion -- APPENDIX -- NOTES -- GLOSSARY -- BIBLIOGRAPHY -- LIST OF EXAMPLES -- INDEX OF NAMES AND TITLES -- GENERAL INDEX The oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola.Musica fictaPerformance practice (Music)History16th centuryMusic theoryHistory16th centuryVocal music16th centuryHistory and criticismElectronic books.Musica ficta.Performance practice (Music)HistoryMusic theoryHistoryVocal musicHistory and criticism.782.02/32/0931Toft Robert914166MiAaPQMiAaPQMiAaPQBOOK9910456441803321Aural images of lost traditions2478124UNINA