03644nam 2200697 450 991045636810332120200520144314.01-281-99212-797866119921251-4426-7684-110.3138/9781442676848(CKB)2430000000002059(OCoLC)244768390(CaPaEBR)ebrary10219047(SSID)ssj0000302037(PQKBManifestationID)11217774(PQKBTitleCode)TC0000302037(PQKBWorkID)10266044(PQKB)11057888(CaBNvSL)thg00601134 (MiAaPQ)EBC3255141(MiAaPQ)EBC4671687(DE-B1597)464623(OCoLC)944178021(OCoLC)999355104(DE-B1597)9781442676848(Au-PeEL)EBL4671687(CaPaEBR)ebr11257389(CaONFJC)MIL199212(OCoLC)958572065(EXLCZ)99243000000000205920160913h20062006 uy 0engurcn|||||||||txtccrLoving in verse poetic influence as erotic /Stephen Guy-BrayToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2006.©20061 online resource (151 p.)Bibliographic Level Mode of Issuance: Monograph0-8020-8045-6 0-8020-9203-9 Includes bibliographical references and index.Frontmatter -- Contents -- Acknowledgments -- Preface -- 1 Virgil into Statius into Dante -- 2 Chaucer and Spenser and Other Male Couples -- 3 Crane on Whitman -- 4 Eliot with Bloom, Barthes with O'Hara -- Notes -- Bibliography -- IndexThe current critical tendency in the study of Renaissance literature is to regard the relationship between a poet and his predecessor as either familial or antagonistic. Stephen Guy-Bray argues that neither of these models can be applied to all poetic relationships and that, in fact, the romantic and even sexual nature of some relationships must be considered. Loving in Verse examines how three poets present their relationship to their most important predecessors, beginning with Dante?s use of Virgil and Statius in the Divine Comedy, moving on to Spenser?s use of medieval English poets in theFaerie Queene, and finally addressing Hart Crane?s use of Whitman in The Bridge. In each case, Guy-Bray shows how the younger poet presents himself and the older poet as part of a male couple. He goes on to demonstrate how male couples are, in fact, found throughout these poems, and while some are indeed familial or hostile, many are romantic or sexual. Using concepts from queer theory and close readings of images and allusions in these texts, Loving in Verse demonstrates the importance of homoeroticism to an examination of poetic influence. A discussion of the theories of poetic influence from four twentieth-century writers (T.S. Eliot, Harold Bloom, Roland Barthes, and Frank O?Hara) concludes Guy-Bray?s analysis.Homosexuality in literaturePoetryHistory and criticismElectronic books.Homosexuality in literature.PoetryHistory and criticism.809.19353Guy-Bray Stephen972815MiAaPQMiAaPQMiAaPQBOOK9910456368103321Loving in verse2479022UNINA