04497nam 22007814a 450 991045632480332120200520144314.00-226-32149-51-282-53805-5978661253805610.7208/9780226321493(CKB)2550000000012812(EBL)530439(OCoLC)630542304(SSID)ssj0000439947(PQKBManifestationID)12168324(PQKBTitleCode)TC0000439947(PQKBWorkID)10471326(PQKB)10604499(SSID)ssj0000423677(PQKBManifestationID)11267394(PQKBTitleCode)TC0000423677(PQKBWorkID)10470179(PQKB)11787098(MiAaPQ)EBC530439(DE-B1597)523324(OCoLC)781285761(DE-B1597)9780226321493(Au-PeEL)EBL530439(CaPaEBR)ebr10383908(CaONFJC)MIL253805(EXLCZ)99255000000001281220050302d2005 uy 0engur|n|---|||||txtccrMy mother was a computer[electronic resource] digital subjects and literary texts /N. Katherine HaylesChicago University of Chicago Press20051 online resource (302 p.)Description based upon print version of record.0-226-32148-7 0-226-32147-9 Includes bibliographical references (p. 266-278) and index.Frontmatter --Contents --Acknowledgments --Prologue: Computing Kin --1. Making: Language and Code --2. Storing: Print and Etext --3. Transmitting: Analog and Digital --Epilogue. Recursion and Emergence --Notes --Works Cited --IndexWe live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles's latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices. My Mother Was a Computer explores how the impact of code on everyday life has become comparable to that of speech and writing: language and code have grown more entangled, the lines that once separated humans from machines, analog from digital, and old technologies from new ones have become blurred. My Mother Was a Computer gives us the tools necessary to make sense of these complex relationships. Hayles argues that we live in an age of intermediation that challenges our ideas about language, subjectivity, literary objects, and textuality. This process of intermediation takes place where digital media interact with cultural practices associated with older media, and here Hayles sharply portrays such interactions: how code differs from speech; how electronic text differs from print; the effects of digital media on the idea of the self; the effects of digitality on printed books; our conceptions of computers as living beings; the possibility that human consciousness itself might be computational; and the subjective cosmology wherein humans see the universe through the lens of their own digital age. We are the children of computers in more than one sense, and no critic has done more than N. Katherine Hayles to explain how these technologies define us and our culture. Heady and provocative, My Mother Was a Computer will be judged as her best work yet.Computational intelligenceHuman-computer interactionComputers in literatureVirtual realityAmerican literature20th centuryHistory and criticismElectronic books.Computational intelligence.Human-computer interaction.Computers in literature.Virtual reality.American literatureHistory and criticism.006.3HN 1091rvkHayles N. Katherine572243MiAaPQMiAaPQMiAaPQBOOK9910456324803321My mother was a computer1376600UNINA