02782nam 22006735 450 991045607770332120211029022043.01-283-21084-397866132108450-8122-0036-50-585-11358-010.9783/9780812200362(CKB)111000211300224(OCoLC)44961557(CaPaEBR)ebrary10491962(SSID)ssj0000157289(PQKBManifestationID)11160337(PQKBTitleCode)TC0000157289(PQKBWorkID)10131688(PQKB)10594708(DE-B1597)448894(OCoLC)979630681(DE-B1597)9780812200362(MiAaPQ)EBC3441505(EXLCZ)9911100021130022420200723h20101995 fg 0engur||#||||||||txtrdacontentcrdamediacrrdacarrierForms and Meanings Texts, Performances, and Audiences from Codex to Computer /Roger ChartierPhiladelphia :University of Pennsylvania Press,[2010]©19951 online resource (128 pages)New Cultural StudiesBibliographic Level Mode of Issuance: Monograph0-8122-1546-X Front matter --Contents --Acknowledgments --Introduction --1. Representations of the Written Word --2. Princely Patronage and the Economy of Dedication --3. From Court Festivity to City Spectators --4. Popular Appropriations: The Readers and Their Books --Notes --Select Bibliography --IndexIn this provocative work, Roger Chartier continues his extraordinarily influential consideration of the forms of production, dissemination, and interpretation of discourse in Early Modern Europe. Chartier here examines the relationship between patronage and the market, and explores how the form in which a text is transmitted not only constrains the production of meaning but defines and constructs its audience.New cultural studies.Written communicationHistoryTransmission of textsAuthors and patronsLiterature and societyBooks and readingWritten communicationHistory.Transmission of texts.Authors and patrons.Literature and society.Books and reading.302.2/244/09Chartier Rogerauthttp://id.loc.gov/vocabulary/relators/aut62912DE-B1597DE-B1597BOOK9910456077703321Forms and meanings27176UNINA