04092nam 2200721 450 991045567070332120200520144314.01-282-03712-997866120371221-4426-8172-110.3138/9781442681729(CKB)2420000000004460(SSID)ssj0001141296(PQKBManifestationID)12374446(PQKBTitleCode)TC0001141296(PQKBWorkID)11090502(PQKB)10692903(SSID)ssj0000303582(PQKBManifestationID)11205024(PQKBTitleCode)TC0000303582(PQKBWorkID)10296031(PQKB)10935788(CaBNvSL)thg00600599 (MiAaPQ)EBC3258019(MiAaPQ)EBC4672099(DE-B1597)464991(OCoLC)944177420(DE-B1597)9781442681729(Au-PeEL)EBL4672099(CaPaEBR)ebr11257782(OCoLC)288146466(EXLCZ)99242000000000446020160922h19991999 uy 0engurcn|||||||||txtccrThe Montreal forties modernist poetry in transition /Brian TrehearneToronto, Ontario ;Buffalo, New York ;London, England :University of Toronto Press,1999.©1999x, 381 p. ;24 cmHeritageBibliographic Level Mode of Issuance: Monograph0-8020-4452-2 1-4426-1323-8 Includes bibliographical references and index.Frontmatter -- Contents -- ACKNOWLEDGMENTS -- Introduction: Reading the Forties Poets -- 1. Imagist Twilight: Page's Early Poetry -- 2. The Poem in the Mind: The Integritas of Klein in the Forties -- 3. Image and Ego: Layton's Lyric Progress -- 4. Forties Continuations: Dudek's Long Poems and the Period Style -- Conclusion: The Generation of the Forties -- NOTES -- BIBLIOGRAPHY -- SOURCES AND PERMISSIONS -- INDEX During the Second World War, a number of young Canadian poets converged on Montreal and, in a few years of little-magazine and small-press publication, rewrote the story of modern English-Canadian poetry. The Montreal Forties establishes a new reading of Canadian modernist poetry in this crucial decade, during which the radical impersonality of high-modernist poetics gave way to an ironic expression of the modern individual in years of unexampled geopolitical and private crisis. The book discusses four major English-Canadian poets of the forties; P.K. Page, A.M. Klein, Irving Layton, and Louis Dudek. The character of the decade's poetry is explored through close scrutiny of the largely unread work published in the little magazines Preview and First Statement, as well as reference to their criticism, correspondence, and journals. Brian Trehearne shows that the Canadian poets emerging in Montreal in the 1940s faced in common a coherent set of artistic challenges general to poetry in English at that time. Chief among these was the function and value of the striking modernist Image in the 'whole' poem newly demanded of a generation at war, a matter vigorously debated by poets in Britain and the United States as well. The Montreal Forties allows us for the first time to see artists as diverse as Page and Layton, Klein and Dudek as part of a single Canadian and international generation, and breaks new ground for critics of Canadian modernist poetry.Modernism (Literature)Québec (Province)MontréalLITERARY CRITICISM / CanadianbisacshElectronic books.Modernism (Literature)LITERARY CRITICISM / Canadian.811/.5209971428Trehearne Brian1957-1049897MiAaPQMiAaPQMiAaPQBOOK9910455670703321The Montreal forties2479249UNINA